The Wife of Bath's Prologue and Tale Contents
- The Prologue: introductory comments
- Part one: l.1 'Experience' - l.76 'Cacche whoso may'
- Part two: l.77 'But this word' - l.134 'To purge uryne'
- Part three: l.135 'But if I seye noght' - l.162 ' Al this sentence'
- Part four: l.163 'Up sterte' - l.192 'For myn entente'
- Part five: l.193 'Now sires' - l.234 'Of hir assent'
- Part six: l.235 'Sire old kanyard' - l.307 'I wol hym noght'
- Part seven: l.308 'But tel me this' - l.378 'This know they'
- Part eight: l.379 'Lordinges, right thus' - l.452 'Now wol I speken'
- Part nine: l.453 'My forthe housebonde' - l.502 'He is now in the grave'
- Part ten: l.503 'Now of my fifthe housebond' - l.542 'Had told to me'
- Part eleven: l.543 'And so bifel' - l.584 'As wel of this'
- Part twelve: l.585 'But now, sire' - l.626 'How poore'
- Part thirteen: l.627 'What sholde I seye' - l.665 'I nolde noght'
- Part fourteen: l.666 'Now wol I seye' - l.710 'That women kan'
- Part fifteen: l.711 'But now to purpos' - l.771 'Somme han kem'
- Part sixteen: l.772 'He spak moore' - l.828 'Now wol I seye'
- Part seventeen: The after words l.829 'The frere lough' - l.856 'Yis dame, quod'
- The Wife of Bath's Tale: Introductory comments
- Part eighteen: l.857 'In the' olde days' - l.898 'To chese weither'
- Part nineteen: l.899 'The queen thanketh' - l.949 'But that tale is nat'
- Part twenty: l.952 'Pardee, we wommen' - l.1004 'These olde folk'
- Part twenty-one: l.1005 'My leve mooder' - l.1072 'And taketh his olde wyf'
- Part twenty-two: l.1073 'Now wolden som men' - l.1105 'Ye, certeinly'
- Part twenty-three: l.1106 'Now sire, quod she' - l.1176 'To lyven vertuously'
- Part twenty-four: l.1177 'And ther as ye' - l.1218 'I shal fulfille'he Holocaust and the creation of
- Part twenty-five: l.1219 'Chese now' - l.1264 'God sende hem'
- Reaction to the Wife's Tale
- Themes in The Wife of Bath's Tale
- The struggle for power in The Wife of Bath's Prologue
- The 'wo' that is in marriage
- The portrayal of gender in The Wife of Bath's Prologue and Tale
- Desire and The Wife of Bath's Tale
- Is there justice in The Wife of Bath's Tale
- Social criticism in The Wife of Bath's Prologue and Tale
- Marriage and sexuality in The Wife of Bath's Prologue and Tale
- Mastery in The Wife of Bath's Prologue and Tale
- Debate, dispute and resolution in The Wife of Bath's Prologue and Tale
- Tale and teller in The Wife of Bath's Prologue and Tale
More on Boccaccio and Ovid
More on Boccaccio and Ovid:
Boccaccio, The Decameron:
This was a prose story collection of one hundred tales (the title means ‘Ten Days'). The text is divided into ten sections, representing ten days. Each ‘day' contains ten stories. Boccaccio attributes each tale on any one day to a different story-teller. His tellers are presented as a group of young aristocrats, male and female, who are spending time at a country house, a healthy place where they hope to escape the plague which is sweeping through Florence.
Comparison with The Canterbury Tales
- Boccaccio gives each day a theme. He also attempts no social mix. Many of his stories are comic tales of the ‘fabliau' type
- Chaucer's tales are varied in themes and morality. His tellers vary in class and age and there is a far greater variety of genres and styles employed.
It is not certain whether or not Chaucer knew The Decameron, though he knew other works by Boccaccio, including his Filocolo, which also contains inset stories.
Ovid was one of the greatest Roman poets. The Metamorphoses was a popular collection of stories, widely known during the medieval period. It was certainly known to Chaucer and inspired some of his own poetry.
Comparison with The Canterbury Tales
Metamorphoses is a story collection in which all the tales have a unifying feature: they tell of mythic transformations (‘metamorphoses' means changes of shape). The presence of explicit themes contrasts with The Canterbury Tales with its great variety of themes and genres.
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