Dubliners Contents
- Social / political context
- Religious / philosophical context
- Literary context
Home and away
Belonging and not belonging
Although Dublin plays a key role in his literature, Joyce was keen to leave his homeland as soon as he could. Joyce first departed from Ireland in 1902 to study medicine in Paris. He returned to Dublin the following year to be with his ailing mother. In 1904, Joyce wrote the following in a letter to his new partner, Nora:
Joyce and Nora left Ireland for mainland Europe in October 1904. Their first port of call was Zurich but they soon moved to Pola (now known as Pula, in modern day Croatia) as Joyce secured a job teaching English with the Berlitz School. In 1905, Joyce transferred to the Berlitz School in Trieste (in Italy). Apart from six months in Rome, when he made efforts to become a banker, Joyce stayed in Trieste for the next eleven years. In 1905, in a letter to his brother, Joyce wrote: ‘I have come to accept my present situation as a voluntary exile’ (JJ, 201).
The clarity of distance
Whilst moving around Europe, Joyce was writing a series of short stories all about his home town, Dublin. Dubliners is Joyce’s distanced reflection upon Dublin and its inhabitants. In his 1905 letter to the London-based publisher, Grant Richards, Joyce wrote:
For Joyce, Dubliners is a mirror, showing Dublin as it really is.
The desire to escape
Dubliners contains several allusions to exile and the desire to escape Dublin:
- In A Little Cloud, Little Chandler asserts: ‘if you wanted to succeed you had to go away. You could do nothing in Dublin’
- Eveline present the protagonist’s struggle to choose between the comforting monotony of home and the unfamiliar exoticism of Buenos Aires
- The Boarding House portrays an exile within Dublin. The residence is a place that is both home and away, or maybe neither home nor away.
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