The Taming of the Shrew Contents
- Social / political context
- Religious / philosophical context
- The theatrical context
- The Taming of the Shrew Induction Scene 1
- The Taming of the Shrew Induction Scene 2
- The Taming of the Shrew Act 1 Scene 1
- The Taming of the Shrew Act 1 Scene 2
- The Taming of the Shrew Act 2 Scene 1
- The Taming of the Shrew Act 3 Scene 1
- The Taming of the Shrew Act 3 Scene 2
- The Taming of the Shrew Act 4 Scene 1
- The Taming of the Shrew Act 4 Scene 2
- The Taming of the Shrew Act 4 Scene 3
- The Taming of the Shrew Act 4 Scene 4
- The Taming of the Shrew Act 4 Scene 5
- The Taming of the Shrew Act 5 Scene 1
- The Taming of the Shrew Act 5 Scene 2
The role of women
Women barred
In Shakespeare’s day, women were not allowed to act on the stage in England. All the female roles in Shakespeare were played by adolescent boys whose voices had not broken – including such famous romantic leads as Cleopatra and Juliet. In The Taming of the Shrew Katherina and Bianca would both have been played by boys.
This situation did not change until after the Restoration of Charles II in 1660, who had spent many years in France where customs were different.
In several of his plays, such as The Merchant of Venice, As You Like It, Cymbeline, and Twelfth Night, Shakespeare has female characters disguise themselves in boys’ clothing, which must have been more comfortable for the boy actors.
To replace or put back something which has been lost or damaged. In English history, the term especially applies to the Restoration of the monarchy when King Charles II returned to England in 1660 after 11 years of republican rule.
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