Tess of the d'Urbervilles Contents
- Social / political context
- Religious / philosophical context
- Chapters 1-9
- Chapters 10-19
- Chapters 20-29
- Chapters 30-39
- Chapters 40-49
- Chapters 50-59
- Tess as a 'Pure Woman'
- Tess as a secular pilgrim
- Tess as a victim
- The world of women
- Tess as an outsider
- Coincidence, destiny and fate
- Disempowerment of the working class
- Heredity and inheritance
- Laws of nature vs. laws of society
- Modernity
- Nature as sympathetic or indifferent
- Patterns of the past
- Sexual predation
- Inner conflicts: body against soul
Imagery and symbolism in Tess of the d'Urbervilles
A strong visual quality
Hardy was a poet as well as a novelist, writing within the Romantic tradition. One of the consequences of this is his dense use of imagery and symbolism, especially nature imagery. The setting is rural, and many of the images are drawn quite naturally from the countryside and landscape. These images are often used symbolically to denote meaning as well as likeness, especially in terms of Tess's various states of being.
This does not mean the style is obviously 'poetic' or flowery, weighed down by lengthy descriptions. In many places, the narrative is quite plain and unadorned. But it always has a strong visual quality: the reader can ‘see' the landscape. The detail given is concrete and ordered.
In English Literature, it denotes a period between 1785-1830, when the previous classical or enlightenment traditions and values were overthrown, and a freer, more individual mode of writing emerged.
Figure of speech in which a person or object or happening is described in terms of some other person, object or action, either by saying X is Y (metaphor); or X is like Y (simile). In each case, X is the original, Y is the image.
1. Representing things or ideas by symbols. 2. The use of symbols in literature or art.
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