Tess of the d'Urbervilles Contents
- Social / political context
- Religious / philosophical context
- Chapters 1-9
- Chapters 10-19
- Chapters 20-29
- Chapters 30-39
- Chapters 40-49
- Chapters 50-59
- Tess as a 'Pure Woman'
- Tess as a secular pilgrim
- Tess as a victim
- The world of women
- Tess as an outsider
- Coincidence, destiny and fate
- Disempowerment of the working class
- Heredity and inheritance
- Laws of nature vs. laws of society
- Modernity
- Nature as sympathetic or indifferent
- Patterns of the past
- Sexual predation
- Inner conflicts: body against soul
Engaging with the text
Reading and working with a novel
- Remember the kind of novel that you are reading -- which genres does it reflect/draw on?
- Allow yourself time to become accustomed to the language used by the author -- linguistic forms will have changed.
- Put yourself into the novel: try to imagine what it might be like to be a particular character.
- Set aside time for reading: identify blocks of time when you can read without interruption.
- Make notes as you read: this is the best way of keeping your reading alert and active – note down such things as the relationships between people, perhaps in a diagram form, and the locations of various parts of the story.
- Make links with other books, films or TV programmes with similar plots and themes.
Get to know the text
- Read the novel several times: this is essential if you are to develop a well-informed response to it.
- Follow up advice on reading given by your teacher or in study guides.
- BUT don't rely on plot summaries:
- They tell you nothing about language and style
- They don't identify themes and motifs in the text
- However detailed, they are intended as reminders not substitutes.
- Read the text in different ways. Once you have a firm grasp of the overall narrative, you may wish to:
- Re-read a particular section, and see how it throws light on the reader's reaction to the whole novel
- Concentrate on a theme or motif, such as the use of particular locations or weather
- Trace the development of a character or a relationship between characters.
Know the complete text
This requires a separate section because examiners often report that students know the start of a play or novel well, but not the end. Classroom study often emphasizes the beginning of a book or play, where the author introduces characters, themes and imagery, and is then less detailed about the remainder of the text. So:
- Do not ignore the impact of significant scenes or episodes in the later chapters of your text.
- Remember that themes, motifs and images may be developed and modified as the book goes on.
- Remember that characters change and develop and that the reader's attitude towards them may also change.
Keep a record of your reading
- Make notes under headings, with page references to particularly useful passages.
- For major topics, you may find it helpful to have separate pages: one for each of the main characters, or a dominant theme:
- Don't let your notes become too separate and take care to comment on links and relationships.
- Use specimen essay questions to give you ideas for headings for your notes.
- Don't let your notes become too separate and take care to comment on links and relationships.
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