Jane Eyre Contents
- Social / political context
- Educational context
- Religious / philosophical context
- Literary context
- Note on chapter numbering
- Volume 1 / Chapters 1 - 15
- Volume 1: Dedication and Preface
- Volume 1, Chapter 1
- Volume 1, Chapter 2
- Volume 1, Chapter 3
- Volume 1, Chapter 4
- Volume 1, Chapter 5
- Volume 1, Chapter 6
- Volume 1, Chapter 7
- Volume 1, Chapter 8
- Volume 1, Chapter 9
- Volume 1, Chapter 10
- Volume 1, Chapter 11
- Volume 1, Chapter 12
- Volume 1, Chapter 13
- Volume 1, Chapter 14
- Volume 1, Chapter 15
- Volume 2 / Chapters 16 - 26
- Volume 3 / Chapters 27 - 38
Imagery, metaphor and symbolism in Jane Eyre
Charlotte Brontë was a poet as well as a novelist, so it came naturally to her to use images, metaphors and symbols in her prose. The patterns of imagery and symbolism that she uses in Jane Eyre are not, however, easily separated from other literary features of the novel. As can be seen from the sections on Narrative, Themes and significant ideas and Structure, the book is very tightly organised, so that one feature supports another. This section, therefore, will contain some cross-references to other locations in the Jane Eyre material, and you should also look out for discussions of particular points and passages in the Going deeper parts of each page in the Synopses section.
1. Imitation, copy, likeness, statue, picture in literature, art or imagination.
2. A figure of speech in which a person or object or happening is described in terms of some other person, object or action (i.e. as a metaphor or simile)
An image or form of comparison where one thing is said actually to be another - e.g. 'fleecy clouds'.
Something which represents something else through an association of ideas.
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