Wuthering Heights Contents
- Social / political context
- Educational context
- Religious / philosophical context of Wuthering Heights
- Literary context of Wuthering Heights
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
Love versus hatred
Investigating the opposition of love and hatred
- As an introduction to this theme, dot the major characters around on a blank sheet of A4, then draw colour-coded arrows between them, according to whether you feel that it is love or hatred which links them.
Conclusions
Having undertaken the above exercice, you may have found that it is easy to decide the colour of some pairings, for example the hatred between Hindley and Heathcliff. Some arrows change their colour part way, as, for example, the positive feelings between Hareton and Cathy slowly develop. Some characters have love flowing in one direction and hatred in the other, such as Isabella and Heathcliff at the start of their relationship.
Love and hatred intermingled
In the relationship between Catherine and Heathcliff, we find a mixture of both love and hatred. The bond between them is so charged that it easily spills over from positive to negative, particularly when either one threatens it. For example, when Catherine returns to Wuthering Heights in Chapter 7, Heathcliff is described as being, ‘very black and cross’. Later, Heathcliff responds to Catherine’s death by saying, ‘May she wake in torment!’ (Chapter 16)
At the centre of the novel we therefore have a complex relationship. What is Brontë suggesting here? That love can sometimes be uncontrollable? That love and hatred are closer than we think? Each reader must make up their own mind. This is not a novel which lends itself to simple answers.
The fact that hatred is present in most characters and most relationships within the novel makes it hardly surprising that an atmosphere of violence pervades the story. This is demonstrated not only in acts of violence, which are often gratuitous, but also in Brontë’s descriptions and the language used in dialogue:
(For more on the violence within the novel, see Imagery and Symbolism.)
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