Wuthering Heights Contents
- Social / political context
- Educational context
- Religious / philosophical context of Wuthering Heights
- Literary context of Wuthering Heights
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
Structure in Wuthering Heights
The complex telling of a simple tale
In one sense, the structure of Wuthering Heights is straightforward. There is no subplot and everything fits into a successful telling of the one story, which is not particularly complicated. However, complexity is created through the non-chronological recounting of events and by Brontë’s use of multiple narrators. (See Narrative.) The order in which we are told about various events is structured by Brontë around these two narrative decisions, and some critics have described the resulting structure as clumsy. In fact, Brontë has constructed the novel carefully and dates, seasons and even times of day can be accurately tracked.
There are other methods of describing the structure of Wuthering Heights however, and these reveal different interesting ideas about the novel and Emily Brontë’s purposes.
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