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    • Metaphysical poets, selected poems
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    • The Pardoner's Prologue and Tale
    • Persuasion
    • Songs of Innocence and Experience
    • The Taming of the Shrew
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  • John Keats, selected poems
  • Contents
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John Keats, selected poems Contents

  • Introduction
  • Timeline
  • Images
  • Author(s)
    • Keats, John
      • Early years
      • The medical profession
      • Keats’ literary career
  • The context of John Keats' poetry
    • Social and political context Show more
      • Revolution and war
      • Social conditions in England
      • Opportunity and constraint
    • Religious and philosophical context Show more
      • Religious expression
      • Romantic beliefs
      • Keats' beliefs
    • Literary context Show more
      • Early literary influences on Keats
      • Romanticism
      • The Gothic
  • Selected poems of John Keats: Synopses and commentaries
    • Bright Star! Would I were steadfast as thou Show more
      • Bright Star! - Synopsis and commentary
      • Bright Star! - Language, tone and structure
      • Bright Star! - Imagery, symbolism and themes
    • The Eve of St Agnes Show more
      • The Eve of St Agnes - Synopsis and commentary
      • The Eve of St Agnes - Language, tone and structure
      • The Eve of St Agnes - Imagery, symbolism and themes
    • ‘Hush, hush! tread softly! hush, hush, my dear!’ Show more
      • Hush, hush! tread softly! Synopsis and commentary
      • Hush, hush! tread softly! - Language, tone and structure
      • Hush, hush! tread softly! - Imagery, symbolism and themes
    • Isabella: or The Pot of Basil Show more
      • Isabella: or The Pot of Basil: Synopsis and commentary
      • Isabella: or The Pot of Basil: Language, tone and structure
      • Isabella: or The Pot of Basil: Imagery, symbolism and themes
    • La Belle Dame Sans Merci Show more
      • La Belle Dame Sans Merci: Synopsis and commentary
      • La Belle Dame Sans Merci: Language, tone and structure
      • La Belle Dame Sans Merci: Imagery, symbolism and themes
    • Lamia Show more
      • Lamia: Synopsis and commentary
      • Lamia: Language, tone and structure
      • Lamia: Imagery, symbolism and themes
    • Lines to Fanny (‘What can I do to drive away’) Show more
      • Lines to Fanny: Synopsis and commentary
      • Lines to Fanny: Language, tone and structure
      • Lines to Fanny: Imagery, symbolism and themes
    • O Solitude, if I must with thee dwell Show more
      • O Solitude, if I must with thee dwell: Synopsis and commentary
      • O Solitude, if I must with thee dwell: Language, tone and structure
      • O Solitude, if I must with thee dwell: Imagery, symbolism and themes
    • Ode on a Grecian Urn Show more
      • Ode on a Grecian Urn: Synopsis and commentary
      • Ode on a Grecian Urn: Language, tone and structure
      • Ode on a Grecian Urn: Imagery, symbolism and themes
    • Ode on Indolence Show more
      • Ode on Indolence: Synopsis and Commentary
      • Ode on Indolence: Language, tone and structure
      • Ode on Indolence: Imagery, symbolism and themes
    • Ode to a Nightingale Show more
      • Ode to a Nightingale: Synopsis and Commentary
      • Ode to a Nightingale: Language, tone and structure
      • Ode to a Nightingale: Imagery, symbolism and themes
    • Ode to Autumn Show more
      • Ode to Autumn: Synopsis and Commentary
      • Ode to Autumn: Language, tone and structure
      • Ode to Autumn: Imagery, symbolism and themes
    • Ode to Melancholy Show more
      • Ode to Melancholy: Synopsis and Commentary
      • Ode to Melancholy: Language, tone and structure
      • Ode to Melancholy: Imagery, symbolism and themes
    • Ode to Psyche Show more
      • Ode to Psyche: Synopsis and Commentary
      • Ode to Psyche: Language, tone and structure
      • Ode to Psyche: Imagery, symbolism and themes
    • On First Looking Into Chapman’s Homer Show more
      • On First Looking Into Chapman’s Homer: Synopsis and Commentary
      • On First Looking Into Chapman’s Homer: Language, tone and structure
      • On First Looking Into Chapman’s Homer: Imagery, symbolism and themes
    • On Seeing the Elgin Marbles Show more
      • On Seeing the Elgin Marbles: Synopsis and Commentary
      • On Seeing the Elgin Marbles: Language, tone and structure
      • On Seeing the Elgin Marbles: Imagery, symbolism and themes
    • On the Sea Show more
      • On the Sea: Synopsis and Commentary
      • On the Sea: Language, tone and structure
      • On the Sea: Imagery, symbolism and themes
    • Sleep and Poetry Show more
      • Sleep and Poetry: Synopsis and Commentary
      • Sleep and Poetry: Language, tone and structure
      • Sleep and Poetry: Imagery, symbolism and themes
    • Time’s sea hath been five years at its slow ebb Show more
      • Time’s sea: Synopsis and Commentary
      • Time’s sea: Language, tone and structure
      • Time’s sea: Imagery, symbolism and themes
    • To Ailsa Rock Show more
      • To Ailsa Rock: Synopsis and Commentary
      • To Ailsa Rock: Language, tone and structure
      • To Ailsa Rock: Imagery, symbolism and themes
    • To Leigh Hunt Show more
      • To Leigh Hunt: Synopsis and Commentary
      • To Leigh Hunt: Language, tone and structure
      • To Leigh Hunt: Imagery, symbolism and themes
    • To Mrs Reynolds’s Cat Show more
      • To Mrs Reynolds’s Cat: Synopsis and commentary
      • To Mrs Reynolds’s Cat: Language, tone and structure
      • To Mrs Reynolds’s Cat: Imagery, symbolism and themes
    • To My Brothers Show more
      • To My Brothers: Synopsis and Commentary
      • To My Brothers: Language, tone and structure
      • To My Brothers: Imagery, symbolism and themes
    • To Sleep Show more
      • To Sleep: Synopsis and Commentary
      • To Sleep: Language, tone and structure
      • To Sleep: Imagery, symbolism and themes
    • When I have fears that I may cease to be Show more
      • When I have fears: Synopsis and Commentary
      • When I have fears: Language, tone and structure
      • When I have fears: Imagery, symbolism and themes
  • Themes in selected Poems of John Keats
    • Adoration of the ancient world
    • Beauty
    • Celebration of the five senses
    • Dreams versus waking reality
    • Life’s brevity versus art’s permanence
    • Nature
    • Paradoxical life
    • The relationship between imagination and creativity
    • Romance
  • Critical approaches to Keats
    • Ways of 'reading' Keats' poetry
    • Nineteenth and twentieth century views of Keats
  • Approaching essays and exams on Keats
    • Close textual analysis
    • A worked example
    • How to plan an essay
    • Sample essay questions on the poetry of John Keats
  • John Keats: Resources and further reading
    • Further reading
    • Source material for Isabella, or The Pot of Basil
    • Worksheet downloads

John Keats, selected poems Images

Storming of the Bastille Peterloo massacre John Wesley Immanuel Kant William Hazlitt Keats' grave in Rome The Faerie Queen frontispiece William Wordsworth Percy Bysshe Shelley Castle of Otranto frontispiece Elgin Marbles, section of frieze Gerard Manley Hopkins The Eve of St Agnes painting by William Holman Hunt George Chapman vignette portrait from frontispiece to his Whole Works of Homer Isabella and the Pot of Basil by William Holman Hunt Melancholy by William Blake Fanny Brawne To Autumn illustration by W J Neatby Keats' tracing of an engraving of the Sosibios vase Ode on a Grecian Urn transcribed by George Keats 1820 Keats poem illustration by W J Neatby Poem illustration by W J Neatby Keats urn Psyche sculpture by Bertel Thorvaldsen The Eve of St Agnes Bright Star text Leigh Hunt Fanny Brawne Lamia by John William Waterhouse 1905 Keats urn Keats To Autumn unrestored manuscript Cupid and Psyche by Benjamin West Psyche sculpture by Bertel Thorvaldsen Elgin Marbles British Museum painting 1819 Elgin Marbles section of frieze Leigh Hunt Flora and Zephyr by Brueghel and Rubens 1617 Ailsa Craig drawing 1840s Aisla Craig 1840 Ailsa Craig photography available through Creative Commons Mightingale To Autumn illustration by W J Neatby Keats statue in Guys Hospital courtyard, image available through Creative Commons Aeolus Flora and Zephyr The Eve of St Agnes Keats statue, Guy's Hospital courtyard, image available through Creative Commons Prosperina Nineteenth century drawing of an English tabby cat Sleep by Frances MacDonald 1910 Seascape Study with Rain Cloud by John Constable Chatterton by Henry Wallis 1856
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Storming of the Bastille
Peterloo massacre
John Wesley
Immanuel Kant
William Hazlitt
Keats' grave in Rome
The Faerie Queen frontispiece
William Wordsworth
Percy Bysshe Shelley
Castle of Otranto frontispiece
Elgin Marbles, section of frieze
Gerard Manley Hopkins
The Eve of St Agnes painting by William Holman Hunt
George Chapman vignette portrait from frontispiece to his Whole Works of Homer
Isabella and the Pot of Basil by William Holman Hunt
Melancholy by William Blake
Fanny Brawne
To Autumn illustration by W J Neatby
Keats' tracing of an engraving of the Sosibios vase
Ode on a Grecian Urn transcribed by George Keats 1820
Keats poem illustration by W J Neatby
Poem illustration by W J Neatby
Keats urn
Psyche sculpture by Bertel Thorvaldsen
The Eve of St Agnes
Bright Star text
Leigh Hunt
Fanny Brawne
Lamia by John William Waterhouse 1905
Keats urn
Keats To Autumn unrestored manuscript
Cupid and Psyche by Benjamin West
Psyche sculpture by Bertel Thorvaldsen
Elgin Marbles British Museum painting 1819
Elgin Marbles section of frieze
Leigh Hunt
Flora and Zephyr by Brueghel and Rubens 1617
Ailsa Craig drawing 1840s
Aisla Craig 1840
Ailsa Craig photography available through Creative Commons
Mightingale
To Autumn illustration by W J Neatby
Keats statue in Guys Hospital courtyard, image available through Creative Commons
Aeolus
Flora and Zephyr
The Eve of St Agnes
Keats statue, Guy's Hospital courtyard, image available through Creative Commons
Prosperina
Nineteenth century drawing of an English tabby cat
Sleep by Frances MacDonald 1910
Seascape Study with Rain Cloud by John Constable
Chatterton by Henry Wallis 1856