Equus Contents
- Act One Scene One
- Act One Scene Two
- Act One Scene Three
- Act One Scene Four
- Act One Scene Five
- Act One Scene Six
- Act One Scene Seven
- Act One Scene Eight
- Act One Scene Nine
- Act One Scene Ten
- Act One Scene Eleven
- Act One Scene Twelve
- Act One Scene Thirteen
- Act One Scene Fourteen
- Act One Scene Fifteen
- Act One Scene Sixteen
- Act One Scene Seventeen
- Act One Scene Eighteen
- Act One Scene Nineteen
- Act One Scene Twenty
- Act One Scene Twenty-one
- Act Two Scene Twenty-two
- Act Two Scene Twenty-three
- Act Two Scene Twenty-four
- Act Two Scene Twenty-five
- Act Two Scene Twenty-six
- Act Two Scene Twenty-seven
- Act Two Scene Twenty-eight
- Act Two Scene Twenty-nine
- Act Two Scene Thirty
- Act Two Scene Thirty-one
- Act Two Scene Thirty-two
- Act Two Scene Thirty-three
- Act Two Scene Thirty-four
- Act Two Scene Thirty-five
Act One Scene Fourteen
Synopsis of Scene 14
Frank Strang arrives to see Dysart, and explains that he doesn’t want his wife to know he has come. Frank explains that he didn’t want to explain in front of his wife, but eighteen months ago he had heard Alan, in his bedroom, chanting what sounded like a genealogical list from the Bible whilst standing in front of the photograph of the horse.
Alan then begins to recite a list, which is a made-up version of a horse’s genealogy. The final name in the list is Equus. He then makes a bridle out of string and puts it on himself, then beats himself with a coat hanger.
Frank says that he blames religion for this behaviour, and adds that Alan had been out with a girl that evening. He is clearly embarrassed and leaves abruptly.
Commentary on Scene 14
Begats: What Alan is chanting sounds like the genealogies found at the start of the Gospels of Matthew and Luke which explain the human ancestry of Christ (e.g. Matthew 1:1-5). Alan is making up names of horses to include in his invented genealogy.
three score years: Score is an archaic term meaning twenty. The language echoes that of the King James Bible (e.g. Psalms 90:10)
only begotten son: In Alan’s genealogy, Equus seems to take the place of Christ, who is sometimes referred to in the New Testament as God’s ‘only begotten son’ (eg.1 John 4:9).
Flankus .. Spankus .. Spunkus: Alan’s invented names have erotic overtones.
Investigating scene 14...
- How does Frank feel about his son’s behaviour?
- Why does he come and tell Dysart about it?
- What picture are you getting of Frank and Dora’s relationship?
- How does the staging of this scene help us to understand Alan’s behaviour?
- Is it helpful that Frank’s explanation is accompanied by Alan’s enactment of his worship of thepicture of the horse?
- How does this scene help us to understand Alan’s worship of horses?
- English Standard Version
- King James Version
- English Standard Version
- King James Version
- English Standard Version
- King James Version
Recently Viewed
Scan and go
Scan on your mobile for direct link.