Equus Contents
- Act One Scene One
- Act One Scene Two
- Act One Scene Three
- Act One Scene Four
- Act One Scene Five
- Act One Scene Six
- Act One Scene Seven
- Act One Scene Eight
- Act One Scene Nine
- Act One Scene Ten
- Act One Scene Eleven
- Act One Scene Twelve
- Act One Scene Thirteen
- Act One Scene Fourteen
- Act One Scene Fifteen
- Act One Scene Sixteen
- Act One Scene Seventeen
- Act One Scene Eighteen
- Act One Scene Nineteen
- Act One Scene Twenty
- Act One Scene Twenty-one
- Act Two Scene Twenty-two
- Act Two Scene Twenty-three
- Act Two Scene Twenty-four
- Act Two Scene Twenty-five
- Act Two Scene Twenty-six
- Act Two Scene Twenty-seven
- Act Two Scene Twenty-eight
- Act Two Scene Twenty-nine
- Act Two Scene Thirty
- Act Two Scene Thirty-one
- Act Two Scene Thirty-two
- Act Two Scene Thirty-three
- Act Two Scene Thirty-four
- Act Two Scene Thirty-five
Act One Scene Thirteen
Synopsis of Scene 13
The stage directions explain that Alan gives the tape to the nurse. She takes it to Dysart, who turns it on. We hear Alan speaking into the tape. He explains what riding a horse felt like to him when he was six, and how he felt about horses subsequently. While Alan is speaking, Dysart takes notes.
The nurse shows Frank Strang in to see Dysart, and we hear Alan’s voice again, saying that he doesn’t want to use the tape-recorder any more.
Commentary on Scene 13
white horse in Revelations: Alan is referring to the white horse in the Book of Revelation in the New Testament, which contains visions about the end of the world. In this, the horse is seen as warlike and fierce but also divine and good. The quotation is taken from Revelation 19:11-14:
11And I saw heaven opened, and behold a white horse; and he that sat upon him was called Faithful and True, and in righteousness he doth judge and make war.
12His eyes were as a flame of fire, and on his head were many crowns; and he had a name written, that no man knew, but he himself. 13And he was clothed with a vesture dipped in blood: and his name is called The Word of God. 14And the armies which were in heaven followed him upon white horses, clothed in fine linen, white and clean. KJB
‘Dashing .. flanks!’: This quotation by Alan sounds similar to one from a romantic Victorian retelling about a Saxon hero resisting Norman incursions, Hereward the Hunter, by H.W.Herbert:
Equitation: Alan resents the formal aspect of riding a horse, in which horse and rider wear specific clothes and are expected to conform to a certain code of behaviour. To him, this takes away from the primitive, exciting aspect of the horse.
God sees .. everywhere: Dora is referring to the idea from Psalms 14:2 and 2 Chronicles 16:9 that God sees everything that occurs on earth.
Investigating scene 13...
- How does Alan feel about horses?
- How is this linked to religion?
- How is his feeling towards horses related to his feelings for his parents, particularly his father?
- Why do you think he says he won’t use the tape-recorder again?
- English Standard Version
- King James Version
- English Standard Version
- King James Version
- English Standard Version
- King James Version
This is an example of apocalyptic literature, full of colourful imagery and symbolism. It contains seven letters to churches in Asia Minor (modern Turkey) who are commended for their zeal or criticised for lack of it. The overall message is that kingdom of God will triumph in the battle against evil and the book ends with a beautiful description of the Heavenly Jerusalem as the symbol of God's presence among humankind in a new heaven and earth.
Big ideas: Judgement; Dreams, visions and prophecy; Serpent, devil, Satan, beast; Apocalypse, Revelation, the End Times, the Second Coming
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