Great Expectations Contents
- Social / political context
- Religious / philosophical context
- Literary context
- Note on chapter numbering
- Chapters 1-9
- Chapter 1 (Volume 1, Chapter 1) (Instalment 1):
- Chapter 2 (Volume 1, Chapter 2) (Instalment 1):
- Chapter 3 (Volume 1, Chapter 3) (Instalment 2):
- Chapter 4 (Volume 1, Chapter 4) (Instalment 2):
- Chapter 5 (Volume 1, Chapter 5) (Instalment 3):
- Chapter 6 (Volume 1, Chapter 6) (Instalment 4):
- Chapter 7 (Volume 1, Chapter 7) (Instalment 4):
- Chapter 8 (Volume 1, Chapter 8) (Instalment 5):
- Chapter 9 (Volume 1, Chapter 9) (Instalment 6):
- Chapters 10-19
- Chapter 10 (Volume 1, Chapter 10) (Instalment 6):
- Chapter 11 (Volume 1, Chapter 11) (Instalment 7):
- Chapter 12 (Volume 1, Chapter 12) (Instalment 8):
- Chapter 13 (Volume 1, Chapter 13) (Instalment 8):
- Chapter 14 (Volume 1, Chapter 14) (Instalment 9):
- Chapter 15 (Volume 1, Chapter 15) (Instalment 9):
- Chapter 16 (Volume 1, Chapter 16) (Instalment 10):
- Chapter 17 (Volume 1, Chapter 17) (Instalment 10):
- Chapter 18 (Volume 1, Chapter 18) (Instalment 11):
- Chapter 19 (Volume 1, Chapter 19) (Instalment 12):
- Chapters 20-29
- Chapter 20 (Volume 2, Chapter 1) (Instalment 13):
- Chapter 21 (Volume 2, Chapter 2) (Instalment 13):
- Chapter 22 (Volume 2, Chapter 3) (Instalment 14):
- Chapter 23 (Volume 2, Chapter 4) (Instalment 15):
- Chapter 24 (Volume 2, Chapter 5) (Instalment 15):
- Chapter 25 (Volume 2, Chapter 6) (Instalment 16):
- Chapter 26 (Volume 2, Chapter 7) (Instalment 16):
- Chapter 27 (Volume 2, Chapter 8) (Instalment 17):
- Chapter 28 (Volume 2, Chapter 9) (Instalment 17):
- Chapter 29 (Volume 2, Chapter 10) (Instalment 18):
- Chapters 30-39
- Chapter 30 (Volume 2, Chapter 11) (Instalment 19):
- Chapter 31 (Volume 2, Chapter 12) (Instalment 19):
- Chapter 32 (Volume 2, Chapter 13) (Instalment 20):
- Chapter 33 (Volume 2, Chapter 14) (Instalment 20):
- Chapter 34 (Volume 2, Chapter 15) (Instalment 21):
- Chapter 35 (Volume 2, Chapter 16) (Instalment 21):
- Chapter 36 (Volume 2, Chapter 17) (Instalment 22):
- Chapter 37 (Volume 2, Chapter 18) (Instalment 22):
- Chapter 38 (Volume 2, Chapter 19) (Instalment 23):
- Chapter 39 (Volume 2, Chapter 20) (Instalment 24):
- Chapters 40-49
- Chapter 40 (Volume 3, Chapter 1) (Instalment 25):
- Chapter 41 (Volume 3, Chapter 2) (Instalment 26):
- Chapter 42 (Volume 3, Chapter 3) (Instalment 26):
- Chapter 43 (Volume 3, Chapter 4) (Instalment 27):
- Chapter 44 (Volume 3, Chapter 5) (Instalment 27):
- Chapter 45 (Volume 3, Chapter 6) (Instalment 28):
- Chapter 46 (Volume 3, Chapter 7) (Instalment 28):
- Chapter 47 (Volume 3, Chapter 8) (Instalment 29):
- Chapter 48 (Volume 3, Chapter 9) (Instalment 29):
- Chapter 49 (Volume 3, Chapter 10) (Instalment 30):
- Chapters 50-59
- Chapter 50 (Volume 3, Chapter 11) (Instalment 30):
- Chapter 51 (Volume 3, Chapter 12) (Instalment 31):
- Chapter 52 (Volume 3, Chapter 13) (Instalment 31):
- Chapter 53 (Volume 3, Chapter 14) (Instalment 32):
- Chapter 54 (Volume 3, Chapter 15) (Instalment 33):
- Chapter 55 (Volume 3, Chapter 16) (Instalment 34):
- Chapter 56 (Volume 3, Chapter 17) (Instalment 34):
- Chapter 57 (Volume 3, Chapter 18) (Instalment 35):
- Chapter 58 (Volume 3, Chapter 19) (Instalment 36):
- Chapter 59 (Volume 3, Chapter 20) (Instalment 36):
- The ending of Great Expectations
Dickens: law and politics
The case for change
Strong moral and religious reasons were put forward in favour of legal changes to improve society:
- Perhaps the most important moral argument came in Jeremy Bentham's writing on the principle of utilitarianism. He argued that the rightness of laws should be tested by the extent to which they promoted the greatest happiness of the greatest possible number. More on utilitarian ‘happiness'?
Dickens' writing shows that this idea might well have been attractive to him but it is likely that he was more concerned with practical answers to urgent human needs than with political theory:
- even when he did write about large systems (e.g. the Chancery Court in Bleak House), his real interest was in their inefficiency and its effect on individual lives
- he was interested less in what Parliament might do than in what individual people might achieve, as can be seen, for instance, in Little Dorrit, where characters are shown struggling against a hide-bound and impervious system that stifles enterprise and creativity
- he was outraged by the failure to use the possibilities of the new wealth to change the lives of the poor
- he hated the way in which the law was often an enemy of, rather than a protector of, the people.
Dickens' knowledge of the law and Parliament
In his attempts to lift himself out of the misery of his early life, Dickens became first a legal clerk, then a parliamentary reporter. He was articled to a solicitor and began to learn about the ways in which the law worked. He then taught himself shorthand, and became a newspaper and parliamentary reporter. In Parliament he had to take down everything as it was said and then transcribe it for publication. It was a demanding and responsible job. While working as a parliamentary reporter, he could see in great detail what Parliament had in mind to do; outside, he could see the gap between those intentions and the daily reality endured by many people.
Political reform
There was much going on in Parliament when Dickens was a young man:
- the Catholic Emancipation Act of 1829 removed most of the legal disadvantages suffered by Roman Catholics
- the 1832 Reform Act enabled more men to vote but electors still had to possess a minimum amount of property before they could exercise this right
- there were several Factory Acts that - among other things - limited the hours children were allowed to work
- in 1834, the new Poor Law set up the notorious workhouses, where the poor were sent to work for their board and lodging. The effects of the Poor Law were central to Oliver Twist
- in 1846, the Corn Laws, which kept the price of wheat artificially high, were repealed, and the price of bread fell.
Dickens and reform
Dickens actively participated in the pressure for reform movements in a number of ways:
- when cholera broke out in the 1850s, Dickens joined the call for reforms that would reduce (and eventually remove) this danger - mainly the construction of the enormous sewerage systems in London and other great cities
- the horrors of disease and maladministration exposed by the suffering of soldiers in the Crimean War prompted him to join the Administrative Reform Association, which had the ambitious goal of reforming Parliament; this was the time during which he wrote Little Dorrit (see also ‘The case for change' earlier in this section)
- local and national politics in his day were still dominated by powerful landowners, especially the aristocracy, and Dickens feared revolution if matters were not improved: the 1840s had seen a great deal of agitation by the Chartists, a movement seeking greater political and civic rights for the mass of the people.
Recently Viewed
Scan and go
Scan on your mobile for direct link.