Great Expectations Contents
- Social / political context
- Religious / philosophical context
- Literary context
- Note on chapter numbering
- Chapters 1-9
- Chapter 1 (Volume 1, Chapter 1) (Instalment 1):
- Chapter 2 (Volume 1, Chapter 2) (Instalment 1):
- Chapter 3 (Volume 1, Chapter 3) (Instalment 2):
- Chapter 4 (Volume 1, Chapter 4) (Instalment 2):
- Chapter 5 (Volume 1, Chapter 5) (Instalment 3):
- Chapter 6 (Volume 1, Chapter 6) (Instalment 4):
- Chapter 7 (Volume 1, Chapter 7) (Instalment 4):
- Chapter 8 (Volume 1, Chapter 8) (Instalment 5):
- Chapter 9 (Volume 1, Chapter 9) (Instalment 6):
- Chapters 10-19
- Chapter 10 (Volume 1, Chapter 10) (Instalment 6):
- Chapter 11 (Volume 1, Chapter 11) (Instalment 7):
- Chapter 12 (Volume 1, Chapter 12) (Instalment 8):
- Chapter 13 (Volume 1, Chapter 13) (Instalment 8):
- Chapter 14 (Volume 1, Chapter 14) (Instalment 9):
- Chapter 15 (Volume 1, Chapter 15) (Instalment 9):
- Chapter 16 (Volume 1, Chapter 16) (Instalment 10):
- Chapter 17 (Volume 1, Chapter 17) (Instalment 10):
- Chapter 18 (Volume 1, Chapter 18) (Instalment 11):
- Chapter 19 (Volume 1, Chapter 19) (Instalment 12):
- Chapters 20-29
- Chapter 20 (Volume 2, Chapter 1) (Instalment 13):
- Chapter 21 (Volume 2, Chapter 2) (Instalment 13):
- Chapter 22 (Volume 2, Chapter 3) (Instalment 14):
- Chapter 23 (Volume 2, Chapter 4) (Instalment 15):
- Chapter 24 (Volume 2, Chapter 5) (Instalment 15):
- Chapter 25 (Volume 2, Chapter 6) (Instalment 16):
- Chapter 26 (Volume 2, Chapter 7) (Instalment 16):
- Chapter 27 (Volume 2, Chapter 8) (Instalment 17):
- Chapter 28 (Volume 2, Chapter 9) (Instalment 17):
- Chapter 29 (Volume 2, Chapter 10) (Instalment 18):
- Chapters 30-39
- Chapter 30 (Volume 2, Chapter 11) (Instalment 19):
- Chapter 31 (Volume 2, Chapter 12) (Instalment 19):
- Chapter 32 (Volume 2, Chapter 13) (Instalment 20):
- Chapter 33 (Volume 2, Chapter 14) (Instalment 20):
- Chapter 34 (Volume 2, Chapter 15) (Instalment 21):
- Chapter 35 (Volume 2, Chapter 16) (Instalment 21):
- Chapter 36 (Volume 2, Chapter 17) (Instalment 22):
- Chapter 37 (Volume 2, Chapter 18) (Instalment 22):
- Chapter 38 (Volume 2, Chapter 19) (Instalment 23):
- Chapter 39 (Volume 2, Chapter 20) (Instalment 24):
- Chapters 40-49
- Chapter 40 (Volume 3, Chapter 1) (Instalment 25):
- Chapter 41 (Volume 3, Chapter 2) (Instalment 26):
- Chapter 42 (Volume 3, Chapter 3) (Instalment 26):
- Chapter 43 (Volume 3, Chapter 4) (Instalment 27):
- Chapter 44 (Volume 3, Chapter 5) (Instalment 27):
- Chapter 45 (Volume 3, Chapter 6) (Instalment 28):
- Chapter 46 (Volume 3, Chapter 7) (Instalment 28):
- Chapter 47 (Volume 3, Chapter 8) (Instalment 29):
- Chapter 48 (Volume 3, Chapter 9) (Instalment 29):
- Chapter 49 (Volume 3, Chapter 10) (Instalment 30):
- Chapters 50-59
- Chapter 50 (Volume 3, Chapter 11) (Instalment 30):
- Chapter 51 (Volume 3, Chapter 12) (Instalment 31):
- Chapter 52 (Volume 3, Chapter 13) (Instalment 31):
- Chapter 53 (Volume 3, Chapter 14) (Instalment 32):
- Chapter 54 (Volume 3, Chapter 15) (Instalment 33):
- Chapter 55 (Volume 3, Chapter 16) (Instalment 34):
- Chapter 56 (Volume 3, Chapter 17) (Instalment 34):
- Chapter 57 (Volume 3, Chapter 18) (Instalment 35):
- Chapter 58 (Volume 3, Chapter 19) (Instalment 36):
- Chapter 59 (Volume 3, Chapter 20) (Instalment 36):
- The ending of Great Expectations
Chapter 22 (Volume 2, Chapter 3) (Instalment 14):
Herbert and I exchange confidences / Herbert tells me Miss Havisham's story / Herbert's prospects in life / Mr. Pocket and the Little Pockets
Synopsis of Chapter 22 (Volume 2, Chapter 3) (Instalment 14)
Herbert tells Pip the background story of Miss Havisham and Estella and Jaggers' part in it. Hebert will be Pip's guide in his new life, and at dinner he begins to advise Pip on his table manners.
Herbert's vague professional ambitions impress Pip, though he suspects that Herbert will never be rich. They go to the theatre and to church at Westminster Abbey; Pip is both impressed by London and homesick.
The next day, having visited Herbert's counting-house and 'Change (the Royal Exchange, where Lloyd's Insurance was once housed), they go to Matthew Pocket's chaotic household in Hammersmith, where Mrs. Pocket is oblivious to the needs of her seven children. Pip will study with Mr. Pocket.
Commentary on Chapter 22 (Volume 2, Chapter 3) (Instalment 14)
a charming piece of music by Handel, called the Harmonious Blacksmith George Frideric Handel (1685-1759) was a German composer who settled in England when he was 27 and eventually became a naturalized Englishman. Herbert's suggestion for a nickname is characteristic of his ease and tact.
while the table … a comparatively pastureless and shifty character Herbert ekes out a precarious existence, but his social status as a gentleman is undeniable; this is another dimension of the novel's debate about what constitutes true gentlemanliness.
you cannot possibly be genteel and bake, you may be as genteel as ever was and brew Herbert's reflections on the oddities of the British class system are part of Pip's education. The Pocket family includes brewers.
a true gentleman at heart … a true gentleman in manner Mr. Pocket's views on what it takes to be a gentleman are further developed; he makes a clear distinction between the outward signs of signs of social status and the quality of individual behaviour.
Somehow, that pursuit seemed more in keeping with Barnard's Inn Pip already has a perception about the sense of failure that surround the Inn.
I wondered who shod all the horses there, and wished Joe did Pip's homesickness suddenly comes over him. It is little more than 24 hours since he left the forge.
It appeared to me … incubated in dust and heat The counting-house seems to Pip to be an unpleasant place and an unlikely source of wealth for Herbert.
whom I took to be great merchants … out of spirits Dickens presents Pip's observations ironically.
Mr. and Mrs. Pocket's children … were tumbling up This upbringing is in contrast to Pip's own upbringing by hand.
- How does Pip's assessment of Herbert begin to emerge in this chapter?
- What can we learn about Herbert from his behaviour towards Pip?
- Compare the language in this chapter describing the Pocket family with the language describing Mr. Jaggers and his business in the previous two chapters
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