Great Expectations Contents
- Social / political context
- Religious / philosophical context
- Literary context
- Note on chapter numbering
- Chapters 1-9
- Chapter 1 (Volume 1, Chapter 1) (Instalment 1):
- Chapter 2 (Volume 1, Chapter 2) (Instalment 1):
- Chapter 3 (Volume 1, Chapter 3) (Instalment 2):
- Chapter 4 (Volume 1, Chapter 4) (Instalment 2):
- Chapter 5 (Volume 1, Chapter 5) (Instalment 3):
- Chapter 6 (Volume 1, Chapter 6) (Instalment 4):
- Chapter 7 (Volume 1, Chapter 7) (Instalment 4):
- Chapter 8 (Volume 1, Chapter 8) (Instalment 5):
- Chapter 9 (Volume 1, Chapter 9) (Instalment 6):
- Chapters 10-19
- Chapter 10 (Volume 1, Chapter 10) (Instalment 6):
- Chapter 11 (Volume 1, Chapter 11) (Instalment 7):
- Chapter 12 (Volume 1, Chapter 12) (Instalment 8):
- Chapter 13 (Volume 1, Chapter 13) (Instalment 8):
- Chapter 14 (Volume 1, Chapter 14) (Instalment 9):
- Chapter 15 (Volume 1, Chapter 15) (Instalment 9):
- Chapter 16 (Volume 1, Chapter 16) (Instalment 10):
- Chapter 17 (Volume 1, Chapter 17) (Instalment 10):
- Chapter 18 (Volume 1, Chapter 18) (Instalment 11):
- Chapter 19 (Volume 1, Chapter 19) (Instalment 12):
- Chapters 20-29
- Chapter 20 (Volume 2, Chapter 1) (Instalment 13):
- Chapter 21 (Volume 2, Chapter 2) (Instalment 13):
- Chapter 22 (Volume 2, Chapter 3) (Instalment 14):
- Chapter 23 (Volume 2, Chapter 4) (Instalment 15):
- Chapter 24 (Volume 2, Chapter 5) (Instalment 15):
- Chapter 25 (Volume 2, Chapter 6) (Instalment 16):
- Chapter 26 (Volume 2, Chapter 7) (Instalment 16):
- Chapter 27 (Volume 2, Chapter 8) (Instalment 17):
- Chapter 28 (Volume 2, Chapter 9) (Instalment 17):
- Chapter 29 (Volume 2, Chapter 10) (Instalment 18):
- Chapters 30-39
- Chapter 30 (Volume 2, Chapter 11) (Instalment 19):
- Chapter 31 (Volume 2, Chapter 12) (Instalment 19):
- Chapter 32 (Volume 2, Chapter 13) (Instalment 20):
- Chapter 33 (Volume 2, Chapter 14) (Instalment 20):
- Chapter 34 (Volume 2, Chapter 15) (Instalment 21):
- Chapter 35 (Volume 2, Chapter 16) (Instalment 21):
- Chapter 36 (Volume 2, Chapter 17) (Instalment 22):
- Chapter 37 (Volume 2, Chapter 18) (Instalment 22):
- Chapter 38 (Volume 2, Chapter 19) (Instalment 23):
- Chapter 39 (Volume 2, Chapter 20) (Instalment 24):
- Chapters 40-49
- Chapter 40 (Volume 3, Chapter 1) (Instalment 25):
- Chapter 41 (Volume 3, Chapter 2) (Instalment 26):
- Chapter 42 (Volume 3, Chapter 3) (Instalment 26):
- Chapter 43 (Volume 3, Chapter 4) (Instalment 27):
- Chapter 44 (Volume 3, Chapter 5) (Instalment 27):
- Chapter 45 (Volume 3, Chapter 6) (Instalment 28):
- Chapter 46 (Volume 3, Chapter 7) (Instalment 28):
- Chapter 47 (Volume 3, Chapter 8) (Instalment 29):
- Chapter 48 (Volume 3, Chapter 9) (Instalment 29):
- Chapter 49 (Volume 3, Chapter 10) (Instalment 30):
- Chapters 50-59
- Chapter 50 (Volume 3, Chapter 11) (Instalment 30):
- Chapter 51 (Volume 3, Chapter 12) (Instalment 31):
- Chapter 52 (Volume 3, Chapter 13) (Instalment 31):
- Chapter 53 (Volume 3, Chapter 14) (Instalment 32):
- Chapter 54 (Volume 3, Chapter 15) (Instalment 33):
- Chapter 55 (Volume 3, Chapter 16) (Instalment 34):
- Chapter 56 (Volume 3, Chapter 17) (Instalment 34):
- Chapter 57 (Volume 3, Chapter 18) (Instalment 35):
- Chapter 58 (Volume 3, Chapter 19) (Instalment 36):
- Chapter 59 (Volume 3, Chapter 20) (Instalment 36):
- The ending of Great Expectations
Chains, files and prisons
Chains and the idea of imprisonment appear in the novel in both a literal and a metaphorical sense and affect even those characters who are not actually criminals.
Chains and files in the literal sense occur at some crucial points in the plot:
- in the opening scenes Pip steals a file for Magwitch's leg-iron (Ch. 1; Vol. 1, Ch. 1);
- the stranger who brings Pip two pound notes stirs his drink with a file (Ch. 10; Vol. 1, Ch. 10)
- Mrs. Joe is attacked with a leg-iron which has been filed off some time before
- these three incidents are linked together in Pip's mind and he sees them as part of a chain of events for which he is responsible and for which he feels a sense of guilt.
- later in the novel, when Pip travels from London to his home town, there are two convicts on the same coach, who are handcuffed together and wear leg-irons, one of whom is the man who brought Pip the two pound notes (Ch. 28; Vol. 2, Ch. 9).
Imprisonment in the real sense is evident in the frequent references to Newgate, but other characters are locked into a kind of psychological imprisonment:
- Miss Havisham is an obvious example: she has voluntarily locked herself into a world of obsession and perpetual resentment
- Pip is bound an apprentice but also feels frustratingly trapped in the limited life of his village
- Mrs. Matthew Pocket is trapped in her fantasies of social aspiration:
- Herbert's fiancée, Clara, is trapped by her father, who exercises a tyrannical control over her, from which she is freed only when he dies.
Pip also uses the image of the chain to describe the progress of his own life. At the end of Ch. 9; Vol. 1, Ch. 9), in which Pip makes his first visit to Satis House, Pip reflects:
When Magwitch reappears, Pip perceives him as a burden and reflects:
‘What I was chained to, and how heavily, became intelligible to me, as I heard his coarse voice, and sat looking up at his furrowed bald head with its iron grey hair at the sides' (Ch. 40; Vol. 3, Ch. 1):
- Pip feels that he and Magwitch are shackled together, like the convicts he sees on the coach
- But by the end of the novel he is glad to accept their inevitable connection, signified now by the joining of hands rather than by the chain linking them together.
Recently Viewed
Scan and go
Scan on your mobile for direct link.