The Color Purple Contents
- The Color Purple: Social and political context
- The Color Purple: Religious and philosophical context
- The Color Purple: Literary context
- Textual help
- Letter 1
- Letter 2
- Letter 3
- Letter 4
- Letter 5
- Letter 6
- Letter 7
- Letter 8
- Letter 9
- Letter 10
- Letter 11
- Letter 12
- Letter 13
- Letter 14
- Letter 15
- Letter 16
- Letter 17
- Letter 18
- Letter 19
- Letter 20
- Letter 21
- Letter 22
- Letter 23
- Letter 24
- Letter 25
- Letter 26
- Letter 27
- Letter 28
- Letter 29
- Letter 30
- Letter 31
- Letter 32
- Letter 33
- Letter 34
- Letter 35
- Letter 36
- Letter 37
- Letter 38
- Letter 39
- Letter 40
- Letter 41
- Letter 42
- Letter 43
- Letter 44
- Letter 45
- Letter 46
- Letter 47
- Letter 48
- Letter 49
- Letter 50
- Letter 51
- Letter 52
- Letter 53
- Letter 54
- Letter 55
- Letter 56
- Letter 57
- Letter 58
- Letter 59
- Letter 60
- Letter 61
- Letter 62
- Letter 63
- Letter 64
- Letter 65
- Letter 66
- Letter 67
- Letter 68
- Letter 69
- Letter 70
- Letter 71
- Letter 72
- Letter 73
- Letter 74
- Letter 75
- Letter 76
- Letter 77
- Letter 78
- Letter 79
- Letter 80
- Letter 81
- Letter 82
- Letter 83
- Letter 84
- Letter 85
- Letter 86
- Letter 87
- Letter 88
- Letter 89
- Letter 90
Letter 22
Synopsis of Letter 22
Shug Avery finally appears in a dramatic fashion, having been taken ill, cast out by her family and condemned by the whole community, except Mr_ and Celie. The preacher at the local church preaches a sermon against Shug and her parents have disowned her because she is suffering from some kind of ‘woman’s disease’.
Mr_¬ and Celie are both present in church but neither of them comment on what is said. After the service Mr_ takes the farm wagon and, five days later, brings Shug back to his own home. Although obviously ill, Shug is also well dressed, making Celie self-conscious about her own appearance. She fears that she cannot do anything to make herself attractive.
Mr_ introduces Shug to Harpo as the woman who should have been Harpo’s mother, and to Celie is an old friend of the family. Sofia is also present with her children but says nothing. Shug’s first response to Celie is spiteful, laughingly telling her that she is ugly.
Commentary on Letter 22
This is an unflattering introduction to one of the major characters in the book. Despite Shug’s evident strength of character, her initial response to Celie belittles and isolates her - the italic emphasis on the word ‘is’ implies assent with another’s description (probably Mr_). In spite of her name, there is not much that is sugary about ‘Shug’ Avery, who appears to be a harsh and demanding woman.
The letter parallels the world that Shug usually inhabits with the world of churchgoing townsfolk. In a nightclub, Shug is ‘Queen Honeybee’ and the audience loves her when she sings. In the ‘real’ world, people gossip and call Shug a slut or a hussy. Her sickness is rumoured to be a ‘nasty’ woman’s disease, implying sexual transmission (it is not made clear). That the rumour comes from one of the women at church suggests a malicious attitude that is not very Christian.
The description of Shug’s powdered face makes her seem grotesque, but to Celie she still seems to be a beautiful creature, to whom she doesn’t even feel she has the right to speak without Mr_ ’s permission.
Investigating Letter 22
- What effect does Shug Avery have on the townsfolk?
- Why do they condemn her?
- What effect do you think Shug’s arrival has on Fonso and Sofia?
Recently Viewed
Scan and go
Scan on your mobile for direct link.