The Color Purple Contents
- The Color Purple: Social and political context
- The Color Purple: Religious and philosophical context
- The Color Purple: Literary context
- Textual help
- Letter 1
- Letter 2
- Letter 3
- Letter 4
- Letter 5
- Letter 6
- Letter 7
- Letter 8
- Letter 9
- Letter 10
- Letter 11
- Letter 12
- Letter 13
- Letter 14
- Letter 15
- Letter 16
- Letter 17
- Letter 18
- Letter 19
- Letter 20
- Letter 21
- Letter 22
- Letter 23
- Letter 24
- Letter 25
- Letter 26
- Letter 27
- Letter 28
- Letter 29
- Letter 30
- Letter 31
- Letter 32
- Letter 33
- Letter 34
- Letter 35
- Letter 36
- Letter 37
- Letter 38
- Letter 39
- Letter 40
- Letter 41
- Letter 42
- Letter 43
- Letter 44
- Letter 45
- Letter 46
- Letter 47
- Letter 48
- Letter 49
- Letter 50
- Letter 51
- Letter 52
- Letter 53
- Letter 54
- Letter 55
- Letter 56
- Letter 57
- Letter 58
- Letter 59
- Letter 60
- Letter 61
- Letter 62
- Letter 63
- Letter 64
- Letter 65
- Letter 66
- Letter 67
- Letter 68
- Letter 69
- Letter 70
- Letter 71
- Letter 72
- Letter 73
- Letter 74
- Letter 75
- Letter 76
- Letter 77
- Letter 78
- Letter 79
- Letter 80
- Letter 81
- Letter 82
- Letter 83
- Letter 84
- Letter 85
- Letter 86
- Letter 87
- Letter 88
- Letter 89
- Letter 90
Letter 25
Synopsis of Letter 25
As Shug begins to recover, Celie tries to persuade her to eat, but Shug prefers to drink coffee and smoke a cigarette while she looks through a fashion magazine. Celie observes the pictures of white women dancing on motor cars and jumping into fountains – ‘society’ women enjoying themselves. Shug seems to be puzzled by the pictures, looking like a child who is trying to work out something important. Celie’s interest in Shug is intensely physical and she longs to reach out and touch her.
Celie is pleased when she manages to entice Shug to eat, as is Albert – they are able to laugh together. Albert confesses he’d been afraid that Shug might not survive.
Commentary on Letter 25
Caring for Shug when she is ill shows Celie as a kind and practical woman. Albert’s children are difficult and Celie does not love them, but they are well fed and clean and she does her best to do her duty as a stepmother.
Celie is shrewd and ingenious in getting Shug to eat, but her care for Shug goes much further - she feels physically aroused and so the incident is also an erotic experience for her.
Albert’s reaction when Shug begins to eat again indicates a subtle power shift - he is revealed as sensitive, while Celie is gradually becoming more assertive and self-confident.
Investigating Letter 25
- Many of the novel’s characters take notice of the lightness or darkness of the skin of others. What do these degrees of darkness symbolise to them?
- Make a list of incidents where this is evident.
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