The Color Purple Contents
- The Color Purple: Social and political context
- The Color Purple: Religious and philosophical context
- The Color Purple: Literary context
- Textual help
- Letter 1
- Letter 2
- Letter 3
- Letter 4
- Letter 5
- Letter 6
- Letter 7
- Letter 8
- Letter 9
- Letter 10
- Letter 11
- Letter 12
- Letter 13
- Letter 14
- Letter 15
- Letter 16
- Letter 17
- Letter 18
- Letter 19
- Letter 20
- Letter 21
- Letter 22
- Letter 23
- Letter 24
- Letter 25
- Letter 26
- Letter 27
- Letter 28
- Letter 29
- Letter 30
- Letter 31
- Letter 32
- Letter 33
- Letter 34
- Letter 35
- Letter 36
- Letter 37
- Letter 38
- Letter 39
- Letter 40
- Letter 41
- Letter 42
- Letter 43
- Letter 44
- Letter 45
- Letter 46
- Letter 47
- Letter 48
- Letter 49
- Letter 50
- Letter 51
- Letter 52
- Letter 53
- Letter 54
- Letter 55
- Letter 56
- Letter 57
- Letter 58
- Letter 59
- Letter 60
- Letter 61
- Letter 62
- Letter 63
- Letter 64
- Letter 65
- Letter 66
- Letter 67
- Letter 68
- Letter 69
- Letter 70
- Letter 71
- Letter 72
- Letter 73
- Letter 74
- Letter 75
- Letter 76
- Letter 77
- Letter 78
- Letter 79
- Letter 80
- Letter 81
- Letter 82
- Letter 83
- Letter 84
- Letter 85
- Letter 86
- Letter 87
- Letter 88
- Letter 89
- Letter 90
Letter 85
Synopsis of Letter 85
Celie has received a telegram from the United States Department of Defence saying that Nettie, Samuel and the children are missing, presumed drowned, as a result of their ship having been sunk by a German mine off the coast of Gibraltar. At the same time, all the letters that Celie has written to her sister over many years are returned to her unopened. Celie is alone in her house trying to sew but now she feels that she no longer has any reason to continue living.
Commentary on Letter 85
It is possible to date the narrative at this point to somewhere between 1939 and 1941. The letter from Celie to Nettie is very short – a sign of her desperation, as earlier in correspondence. The fact that Albert directly hands the telegram to her reflects his compassion and a reversal of his previous, controlling behaviour.
This reversal might appear to mark the end of Celie’s happiness. Some critics of the novel suggest that Walker goes too far in contriving a rather implausible and unlikely plot twist at this stage in the novel, but others suggest that the shipwreck is a device that Walker uses to show Celie’s newfound stability and strength of character. Despite the dreadful news she has received, Celie sits alone in the house and still attempts to carry on her sewing. The undelivered letters to Nettie could be seen as a symbolic representation of the many letters that Celie wrote to God earlier in the novel which, she feels, never reached their destination.
As a device to heighten suspense in preparation for the happy conclusion in Letter 90, it could also be said that Walker is following a fairly standard literary convention here.
Investigating Letter 85
- What is the effect on the narrative structure of Walker suddenly withholding happiness from Celie?
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