The Color Purple Contents
- The Color Purple: Social and political context
- The Color Purple: Religious and philosophical context
- The Color Purple: Literary context
- Textual help
- Letter 1
- Letter 2
- Letter 3
- Letter 4
- Letter 5
- Letter 6
- Letter 7
- Letter 8
- Letter 9
- Letter 10
- Letter 11
- Letter 12
- Letter 13
- Letter 14
- Letter 15
- Letter 16
- Letter 17
- Letter 18
- Letter 19
- Letter 20
- Letter 21
- Letter 22
- Letter 23
- Letter 24
- Letter 25
- Letter 26
- Letter 27
- Letter 28
- Letter 29
- Letter 30
- Letter 31
- Letter 32
- Letter 33
- Letter 34
- Letter 35
- Letter 36
- Letter 37
- Letter 38
- Letter 39
- Letter 40
- Letter 41
- Letter 42
- Letter 43
- Letter 44
- Letter 45
- Letter 46
- Letter 47
- Letter 48
- Letter 49
- Letter 50
- Letter 51
- Letter 52
- Letter 53
- Letter 54
- Letter 55
- Letter 56
- Letter 57
- Letter 58
- Letter 59
- Letter 60
- Letter 61
- Letter 62
- Letter 63
- Letter 64
- Letter 65
- Letter 66
- Letter 67
- Letter 68
- Letter 69
- Letter 70
- Letter 71
- Letter 72
- Letter 73
- Letter 74
- Letter 75
- Letter 76
- Letter 77
- Letter 78
- Letter 79
- Letter 80
- Letter 81
- Letter 82
- Letter 83
- Letter 84
- Letter 85
- Letter 86
- Letter 87
- Letter 88
- Letter 89
- Letter 90
Letter 39
Synopsis of Letter 39
Sofia’s friends and family meet to try to decide how to help Sofia, because her sanity seems to be threatened. Harpo and Buster want to break her out of jail, while Celie dreams that God will carry Sofia home to Heaven.
A more practical plan is suggested when it is revealed that light-skinned Mary Agnes is the niece of the white prison warden, Bubber Hodges. Albert decides that Mary Agnes should try to persuade him to do something for Sofia.
Commentary on Letter 39
This chapter is important, for it shows how Sofia’s family and friends have been brought together by her suffering in prison to work together, rather than be at odds with one another. They are united by their admiration, love or respect for Sofia and their resentment against the white power structure which has tried to destroy her.
Celie’s picture of God and the angels rescuing Sofia shows her naivety. It also reflects the religious imagery taught to black people by way of a centuries-old white power structure. As a result, Celie and probably many other African-Americans, are convinced that God and his angels are all white men.
Squeak has little choice but to accept Albert’s instruction to visit Hodges to try to intercede for Sofia. Note the matter of fact tone of the discussion about the warden’s brother, Jimmy, and his three mixed-race children. As a mulatto, a person of mixed black and white ancestry, Squeak highlights the complex nature of racial identification in the American South. Jimmy Hodges is Squeak’s ‘daddy’ and Warden Hodges is her uncle.
Investigating Letter 39
- Look up the word miscegenation
- What does Letter 39 reveal about the hypocrisy of miscegenation laws in America at this time?
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