The Color Purple Contents
- The Color Purple: Social and political context
- The Color Purple: Religious and philosophical context
- The Color Purple: Literary context
- Textual help
- Letter 1
- Letter 2
- Letter 3
- Letter 4
- Letter 5
- Letter 6
- Letter 7
- Letter 8
- Letter 9
- Letter 10
- Letter 11
- Letter 12
- Letter 13
- Letter 14
- Letter 15
- Letter 16
- Letter 17
- Letter 18
- Letter 19
- Letter 20
- Letter 21
- Letter 22
- Letter 23
- Letter 24
- Letter 25
- Letter 26
- Letter 27
- Letter 28
- Letter 29
- Letter 30
- Letter 31
- Letter 32
- Letter 33
- Letter 34
- Letter 35
- Letter 36
- Letter 37
- Letter 38
- Letter 39
- Letter 40
- Letter 41
- Letter 42
- Letter 43
- Letter 44
- Letter 45
- Letter 46
- Letter 47
- Letter 48
- Letter 49
- Letter 50
- Letter 51
- Letter 52
- Letter 53
- Letter 54
- Letter 55
- Letter 56
- Letter 57
- Letter 58
- Letter 59
- Letter 60
- Letter 61
- Letter 62
- Letter 63
- Letter 64
- Letter 65
- Letter 66
- Letter 67
- Letter 68
- Letter 69
- Letter 70
- Letter 71
- Letter 72
- Letter 73
- Letter 74
- Letter 75
- Letter 76
- Letter 77
- Letter 78
- Letter 79
- Letter 80
- Letter 81
- Letter 82
- Letter 83
- Letter 84
- Letter 85
- Letter 86
- Letter 87
- Letter 88
- Letter 89
- Letter 90
Letter 71
Synopsis of Letter 71
In order to help Corrine remember meeting Celie, Nettie finds the quilt in Corrine’s luggage which included the material Corrine bought on the day she first met Celie in town. On seeing it, Corrine finally remembers the incident, recalling that Celie bore a strong resemblance to the child Olivia, whom she and Samuel had taken into their home and adopted.
Corrine confesses that her chief memory of the day was the humiliation and anger she felt at the way in which the white storekeeper treated her. After acknowledging her own selfish behaviour, Corrine falls asleep. In the middle of the night, as Nettie and Samuel sit by her bed, Corrine wakes, tells Nettie and Samuel that she believes Nettie has told the truth about her relationship to Olivia and Adam, then dies quietly.
Commentary on Letter 71
Corrine’s deathbed reconciliation with Nettie is a convenient device used by Walker to remove Corrine from the story so that Nettie can marry Samuel later in the narrative. Victorian fiction often employed this convention, as does contemporary literature.
Throughout the narrative, quilt-making has been used to symbolise female collaboration and the idea of sisterhood. The tradition was well established in West Africa and transported slaves continued the craft in the New World. The creation of a quilt earlier in the narrative unites Sofia and Celie (Letter 28) and here the shared memory of Corrine's quilt helps Nettie and Corrine to become reconciled before the latter’s death.
Investigating Letter 71
- Re-read Letter 10 (Celie’s meeting with Corinne in the store.)
- Why do you think Corinne lies about her reason for calling the baby Olivia?
- Finish your notes on Corinne’s character. How far does the reader sympathise with her at this point?
- Does this change in Letter 72?
- What does this letter show us about Nettie’s character? Add to your notes on her.
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