The Color Purple Contents
- The Color Purple: Social and political context
- The Color Purple: Religious and philosophical context
- The Color Purple: Literary context
- Textual help
- Letter 1
- Letter 2
- Letter 3
- Letter 4
- Letter 5
- Letter 6
- Letter 7
- Letter 8
- Letter 9
- Letter 10
- Letter 11
- Letter 12
- Letter 13
- Letter 14
- Letter 15
- Letter 16
- Letter 17
- Letter 18
- Letter 19
- Letter 20
- Letter 21
- Letter 22
- Letter 23
- Letter 24
- Letter 25
- Letter 26
- Letter 27
- Letter 28
- Letter 29
- Letter 30
- Letter 31
- Letter 32
- Letter 33
- Letter 34
- Letter 35
- Letter 36
- Letter 37
- Letter 38
- Letter 39
- Letter 40
- Letter 41
- Letter 42
- Letter 43
- Letter 44
- Letter 45
- Letter 46
- Letter 47
- Letter 48
- Letter 49
- Letter 50
- Letter 51
- Letter 52
- Letter 53
- Letter 54
- Letter 55
- Letter 56
- Letter 57
- Letter 58
- Letter 59
- Letter 60
- Letter 61
- Letter 62
- Letter 63
- Letter 64
- Letter 65
- Letter 66
- Letter 67
- Letter 68
- Letter 69
- Letter 70
- Letter 71
- Letter 72
- Letter 73
- Letter 74
- Letter 75
- Letter 76
- Letter 77
- Letter 78
- Letter 79
- Letter 80
- Letter 81
- Letter 82
- Letter 83
- Letter 84
- Letter 85
- Letter 86
- Letter 87
- Letter 88
- Letter 89
- Letter 90
Reverend Samuel
A good man
Alone of all the novel’s major male characters, Samuel is from the start an intelligent and sensible man who has a positive attitude towards women. He is a minister, although Walker does not tell us to which denomination of Christianity Samuel belongs. He is a compassionate man, which motivates his desire to be a missionary as well as his adoption of Olivia and Adam at the request of his acquaintance Alphonso. Generally wise and mature, Samuel is an educated man who is committed to improving the lives of all black people. When he becomes aware of his errors, such as his refusal to ‘interfere’ in Albert and Celie’s home life, he apologises and seeks forgiveness.
As Nettie spends time with Samuel, she realises that not all black men are aggressive, lustful and bent on dominating women, which had been her experience with Alphonso and Mr_. In fact Walker conspicuously removes any reference to Samuel’s male sexuality, despite the close proximity in which Nettie and he find themselves. This is important as it emphasises Samuel’s integrity and makes Corrine’s jealous anxiety clearly groundless. Walker uses these suspicions simply as a device to create dramatic tension and rather clumsily manipulates the narrative so that after her death the couple are free to marry.
Faith and disappointment
Along with Corinne, Samuel represents the well-meaning but ineffectual efforts of Westerners to impose their values on other people. Their expectations are shown to be naive and often unrealistic. Samuel is far more accepting of tribal customs than previous missionaries such as those who made African women wear ‘Mother Hubbards’, but ends up in despair at the way in which the Olinka tie Christianity in with the wider Western culture of economic prosperity and colonial oppression.
In Letter 80 Samuel finally breaks down, unable to hold together the tension of the good things his faith has motivated him to do and the reality of failure in so many areas. It is this soul-sharing that breaks Nettie’s boundary of friendship and admiration so that love can flourish between them. Some critics have commented that both Samuel and Corinne are unconvincing characters and they certainly lack the dynamism of characters who figure in the primary narrative storyline, but Samuel provides a useful contrast in attitude to the novel’s other black males.
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