The Color Purple Contents
- The Color Purple: Social and political context
- The Color Purple: Religious and philosophical context
- The Color Purple: Literary context
- Textual help
- Letter 1
- Letter 2
- Letter 3
- Letter 4
- Letter 5
- Letter 6
- Letter 7
- Letter 8
- Letter 9
- Letter 10
- Letter 11
- Letter 12
- Letter 13
- Letter 14
- Letter 15
- Letter 16
- Letter 17
- Letter 18
- Letter 19
- Letter 20
- Letter 21
- Letter 22
- Letter 23
- Letter 24
- Letter 25
- Letter 26
- Letter 27
- Letter 28
- Letter 29
- Letter 30
- Letter 31
- Letter 32
- Letter 33
- Letter 34
- Letter 35
- Letter 36
- Letter 37
- Letter 38
- Letter 39
- Letter 40
- Letter 41
- Letter 42
- Letter 43
- Letter 44
- Letter 45
- Letter 46
- Letter 47
- Letter 48
- Letter 49
- Letter 50
- Letter 51
- Letter 52
- Letter 53
- Letter 54
- Letter 55
- Letter 56
- Letter 57
- Letter 58
- Letter 59
- Letter 60
- Letter 61
- Letter 62
- Letter 63
- Letter 64
- Letter 65
- Letter 66
- Letter 67
- Letter 68
- Letter 69
- Letter 70
- Letter 71
- Letter 72
- Letter 73
- Letter 74
- Letter 75
- Letter 76
- Letter 77
- Letter 78
- Letter 79
- Letter 80
- Letter 81
- Letter 82
- Letter 83
- Letter 84
- Letter 85
- Letter 86
- Letter 87
- Letter 88
- Letter 89
- Letter 90
Letter 61
Synopsis of Letter 61
Celie is worried that her children will be mentally damaged because they were conceived through an incestuous relationship with Fonso, whom she believes is her own father. She longs to be reunited – and move away - with Nettie. She quotes an entire letter from Nettie describing her arrival in the Olinka village in West Africa, where the family is to carry out its missionary work.
Nettie’s letter describes how the family arrived in the Olinka village after travelling. Brown, female missionaries arouse the villager’s curiosity, and some comment on how closely Adam and Olivia resemble Nettie instead of Corinne.
A welcome ceremony highlights the tribe’s belief in the scared properties of ‘roofleaf’, alongside their knowledge about Jesus. The family is presented with a roof for their hut, thatched with the sacred crop.
Commentary on Letter 61
The short introductory paragraph of this letter reminds us of Celie’s experiences at the hands of Fonso and that she believes her children could be mentally damaged because they were conceived through incest. (Walker keeps the reader in suspense before the matter is cleared up in letter 67.)
Nettie’s letter highlights how the missionaries are complete outsiders in West Africa. Although Nettie is sympathetic about the significance of roofleaf, the fact that the Olinka regard it as a god foreshadows the village catastrophe in letter 80 when the workers are provided with tin to use as roofing for their huts.
The idea of a natural substance being part of a religious belief introduces the theme that religion can take many different forms. As the novel progresses, Nettie’s own faith becomes less rigorous and more tolerant about valuing the spirit behind a religion, rather than its observance through a set of traditional beliefs and customs. Walker introduces the idea of Christianity as a panentheistic belief in a God who is present and active in the world but also far beyond the material universe and human understanding.
Investigating Letter 61
- Do some research on pantheism and panentheism
- How does Nettie’s view of traditional Christian belief change from this point in the narrative?
- What causes the shift in her ideas about God?
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