The Color Purple Contents
- The Color Purple: Social and political context
- The Color Purple: Religious and philosophical context
- The Color Purple: Literary context
- Textual help
- Letter 1
- Letter 2
- Letter 3
- Letter 4
- Letter 5
- Letter 6
- Letter 7
- Letter 8
- Letter 9
- Letter 10
- Letter 11
- Letter 12
- Letter 13
- Letter 14
- Letter 15
- Letter 16
- Letter 17
- Letter 18
- Letter 19
- Letter 20
- Letter 21
- Letter 22
- Letter 23
- Letter 24
- Letter 25
- Letter 26
- Letter 27
- Letter 28
- Letter 29
- Letter 30
- Letter 31
- Letter 32
- Letter 33
- Letter 34
- Letter 35
- Letter 36
- Letter 37
- Letter 38
- Letter 39
- Letter 40
- Letter 41
- Letter 42
- Letter 43
- Letter 44
- Letter 45
- Letter 46
- Letter 47
- Letter 48
- Letter 49
- Letter 50
- Letter 51
- Letter 52
- Letter 53
- Letter 54
- Letter 55
- Letter 56
- Letter 57
- Letter 58
- Letter 59
- Letter 60
- Letter 61
- Letter 62
- Letter 63
- Letter 64
- Letter 65
- Letter 66
- Letter 67
- Letter 68
- Letter 69
- Letter 70
- Letter 71
- Letter 72
- Letter 73
- Letter 74
- Letter 75
- Letter 76
- Letter 77
- Letter 78
- Letter 79
- Letter 80
- Letter 81
- Letter 82
- Letter 83
- Letter 84
- Letter 85
- Letter 86
- Letter 87
- Letter 88
- Letter 89
- Letter 90
Letter 47
Synopsis of Letter 47
One night, Albert and Grady go out in the car together and Shug shares a bed with Celie for warmth. The women talk about lovemaking and Celie tells Shug in graphic detail how she was raped by Fonso when she was fourteen. Believing that no one has ever loved her, she begins to cry until Shug kisses her and tells her that she loves her and the two women make love to one another.
Commentary on Letter 47
There is pathos as we identify with Celie’s sense of rejection and isolation (not knowing that Nettie still loves her). Celie has never experienced sexual pleasure through lovemaking and it is with Shug that this happens for the first time. Shug seems to be taken by surprise when she kisses Celie, which suggests that this may also be a new experience for Shug.
Earlier in the narrative, Celie stated that she was afraid of men and preferred to look at women, because women were kind to her. At this point in the novel, Celie’s sexual identity becomes that of a woman who loves a woman, but it may be useful to consider that a person’s sexuality is not necessarily about loving one gender or the other, but about loving an individual person. In Celie’s case, she loves Shug, but that does not mean that the relationship is exclusively lesbian, as Shug is perfectly capable of enjoying sexual intimacy with men.
Investigating Letter 47
- In this episode, how do the protagonists cross traditional gender boundaries?
- Make a list of Shug’s masculine and feminine qualities.
Recently Viewed
Scan and go
Scan on your mobile for direct link.