Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Imagery and symbolism in As Kingfishers Catch Fire
Personification
The main figure of language in the octave is personification. Each object, whether animate or inanimate, is given a voice:
- ‘finds tongue to fling out broad its name'
- ‘myself it speaks and spells'.
The ‘indoors' metaphor is difficult. It seems to mean: each thing proclaims the essence of its inner being. There is a sense of being ‘at home' in itself, as we talk of people being ‘at home' in their skin.
Jesus portrayed as living within human beings
There is a biblical teaching that Christian believers are the body of Christ:
‘for we were all baptised by one Spirit into one body.....Now you are the body of Christ, and each one of you is a part of it.' (1 Corinthians 12:13, 1 Corinthians 12:27 TNIV).
The ‘body of Christ' metaphor is thus a Christian commonplace, hovering between a literal and a figurative understanding. ‘Grace' can be a physical attribute as well as a spiritual one. There is a tradition of Catholic mysticism which is quite sensuous, and it is in this way that Hopkins writes.
- Can you see that many expressions of philosophy or religion are actually metaphorical? We cannot express abstract or supernatural concepts literally without becoming too abstract for words (literally).
- Can you think of some examples of how beliefs are made concrete by metaphors?
- What human features are applied to the biblical God?
- English Standard Version
- King James Version
- English Standard Version
- King James Version
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