Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Imagery and symbolism in Spelt from Sibyl's Leaves
Personification
The personification of evening is striking, as some giantess figure. ‘Her' then becomes ‘our evening', as it comes to symbolise Hopkins' own inner state. Images of dark and light are bound to predominate:
- ‘fond yellow hornlight' is particularly significant. In early notebooks, Hopkins plays around with the derivation of the word ‘horn', and also describes the Northern Lights as ‘like the crown of horny rays the sun makes behind a cloud'
- This contrasts to ‘her wild hollow hoarlight', as if the two types of light were going to be the shuttle on which life itself was wound
Winding and unwinding
- The image of ‘wound' anticipates ‘ah let life wind' (l.10)
- The imagery of earth is more about undoing, as Hopkins feels his world falling apart- a strange opposition to the image of winding, which is more to do with binding up or collecting up - this is part of the ‘thoughts against thoughts'
- The strong image of ‘rack' now suggests torture, a torture rack on which he has placed himself.
Investigating Spelt from Sibyl's Leaves
- Gather together images and words suggesting torture.
- Investigate the meanings of the word ‘rack'.
- Collect images of light from the poem.
- What sort of light is it?
- How do the images manage to suggest darkness at the same time?
- What images suggest a loss of identity?
- How symbolic of Hopkins' own inner state are they?
- Explain ‘the beak-leaved boughs dragonish damask the tool-smooth bleak light'.
A figure of speech where a non-person, for example an animal, the weather, or some inanimate object, is described as if it were a person, being given human qualities.
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