Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Imagery and symbolism in Harry Ploughman
Athleticism
In the effort to visualise the ploughman, Hopkins has packed his images tightly together. Some are simple similes, such as his arms being `Hard as hurdle'(l.1), or later, his thigh ‘as a beechbole firm'(l.9) or his limbs ‘as at a rollcall'(l.9), an interesting military, or perhaps naval (‘crew') image of his body parts on parade, answering to a roll-call, then being told what their jobs for the day are.
Skin and hair
Other images are harder to work out:
- The opening line has ‘a broth of goldish flue/ Breathed round', where we have to know to start with what ‘flue' means (fluffy cotton)
- at first, we might think it means his breath on a frosty morning, if we focus on ‘breathed'
- but as he is describing Harry's arms, it is more likely it refers to the hair on the arms being curly and golden.
Repeated imagery
Poets tend to develop favourite metaphors and recycle them whenever appropriate:
- Hopkins used the image of broth in Inversnaid
- In earlier poems and in his notebooks, Hopkins often tries to depict the action of the wind on hair. So here we have ‘wag or crossbridle', and ‘windlaced'.
- Hopkins seemed particularly fascinated with lace
- In sestet of the The Windhover, Hopkins uses the ploughing image in terms of ‘plough down sillion / Shine'.
Investigating Harry Ploughman
- Where else have you seen Hopkins use lace as an image?
- What seems to fascinate Hopkins about the earth turned over by the plough?
- What epithets and images does he use of it?
- Would you say most of the imagery is drawn from nature?
- Make a list of nature imagery.
An image where one thing is said to be 'as' or 'like' another: e.g. 'He jumped up like a jack-in-the-box'.
1. Imitation, copy, likeness, statue, picture in literature, art or imagination.
2. A figure of speech in which a person or object or happening is described in terms of some other person, object or action (i.e. as a metaphor or simile)
An image or form of comparison where one thing is said actually to be another - e.g. 'fleecy clouds'.
An adjective conveying a quality or attribute regarded as characteristic of the person or thing described
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