Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Commentary on Patience, Hard Thing!
An unattractive attribute
Patience is portrayed in the first quatrain as being not only hard but also unattractive. It is defined more by negatives:
- We would rather have war and wounds, to be fighting in some good cause
- When there appears nothing worthwhile, we have to exercise patience, ‘do without', and just ‘take tosses' without fighting back
- It hardly sounds a virtue, just a negative chore, like scrubbing the classroom floor with a toothbrush.
Meanings:
- ‘but to' (l.1) means ‘only to'
- ‘bid for' (l.2) means ‘ask for, petition'
- ‘wants' (l.3) can mean ‘lacks' or its more modern meaning of ‘desires'
The virtues of patience?
The second quatrain sees some virtue in patience through the image of ivy:
- patience is actually quite rare, and can only grow where there are negatives such as ‘weary...times' and ‘tasks'. Hopkins had many chores as a teacher, particularly marking hundreds of exam papers and essays
- patience also hides our lost ambitions - ‘wrecked past purpose' - a telling line, suggesting that if Hopkins had had his say, he would not have remained in the post in which he found himself.
Two responses
In the sestet, Hopkins compares the natural man (including himself) with the virtuous man who has learned patience:
- the natural man has a heart that grates upon itself in frustration and rebelliousness
- the virtuous man seems to drop honey by his graciousness.
Hopkins talks about his heart, rather than to it as he does in I Wake and Feel the Fell of Dark. So, unlike that poem, the ‘we' of l.8 is a generalised ‘we', meaning people generally, and thus the poem becomes a wider statement than most of the other dark sonnets.
Investigating Patience
- 11.9,10 are quite difficult. They could mean:
- ‘yet even our rebellious hearts do eventually do what God bids us do'
- ‘our rebellious wills fight against everything we bid them do; but even so God bends down to help'
- Explain ‘that comes those ways we know' (l.14).
A quatrain is a 4-line stanza, usually rhyming.
A quatrain is a 4-line stanza, usually rhyming.
The 6-line stanza of a Petrarchan sonnet, occupying the last six lines, sometimes divided into tercets or couplets. It often resolves the problem posed in the octave or comments significantly on it.
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