Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Diction in The Wreck of the Deutschland
Power and mastery
Hopkins' use of words of power and mastery is fully dealt with in the ‘Going deeper' section. To review some of the examples, there are:
- ‘master' (10,19,28); ‘martyr-master' (21); ‘master of the tides' (32); ‘mastering' (1); ‘Lord' (1,35, and as a verb 28); ‘King' (28,35); ‘prince' (35); ‘Head' (28); ‘sovereignty' (32); ‘throned' (32); ‘reign' (35); ‘sway' (1); ‘triumph' (28)
- ‘tower' can also be seen as a word of power as well as of defensiveness (3,17)
- Cognate with this are words of binding, as ‘bound' (1); ‘fastend' (1); ‘laced' (2); ‘roped' (4)
- words of stress/stroke (2,5,6)
- words of entrapment or enclosure: ‘walls' (2); ‘hard at bay' (7); ‘den' (9), ‘vault' (12).
- Many of these words occur in Part one rather than Part two.
- Why should this be?
- Why is Hopkins so concerned with words of power and control?
Violence and drama
As might be expected from an account of a shipwreck, there are many dramatic words, many of which are of violence. There are nouns and verbs of action and movement, the two seemingly interchangeable in Hopkins' very flexible use of words as parts of speech.
Examples include:
- ‘sweep' (2); ‘swirling' (19); ‘hurl/ing' (2,13,15); ‘whirled' (3); ‘brawling' (19); ‘blow' (16); ‘crash' (10); ‘beat down' (14); ‘hurtle' (3); ‘fling' (3); ‘drove' (14); ‘struck' (14); ‘pitched' (16); the wonderful word ‘sloggering' (19).
Perhaps you can add to this list.
We are reminded just how many monosyllabic words of action there are in the English language.
Fear and dread
Appropriate to his own personal experience and that of the shipwrecked victims, there are many words of fear and dread:
- ‘dread'(1); ‘horror' (2); ‘frightful' (7); ‘cringe' (11), to name a few.
- Besides adding to the list, can you find contrasting, softer words, like ‘melt' (10) or ‘dandled' (16)?
- Are such words used literally?
- As oxymorons?
- ironically?
Onomatopeia
Many of these words are onomatopoeic. Hopkins seems particularly fascinated with monosyllables that end in –sh, as in: ‘lash/ed' (2,8); ‘crash' (10); ‘flash' (8); ‘wash-' (15); ‘flesh' (8); and the trio ‘lush', ‘plush' and ‘flush' (8).
Theological terms
A number of other words are significant for their meaning rather than their sound, especially some of the technical, theological words, as: ‘Passion' (33); ‘doomsday' (33); ‘instress' (5); ‘christen'(24); ‘mystery'(5), and words of mercy and grace: ‘grace to grace'(3);'merciful'(9); ‘his own bespoken'(22);'mercies'(23); ‘comfort'(25), and so on.
- Can you add to either of these lists?
Recently Viewed
Related material
Scan and go
Scan on your mobile for direct link.