Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Serving God
A common theme
This theme is a fairly common one with Christian poets, for example, George Herbert and John Milton. A Victorian Christian poet whom Hopkins admired, Christina Rossetti, also writes about it. Victorian Christianity in general emphasised humankind's duty to serve God, and there were countless biographies of devout Christians who gave their lives to serve God as pioneers, missionaries and so forth, in the nineteenth century. The Jesuits, too, saw their disciplined life as a way of serving God actively, as teachers, parish priests, missionaries etc. See Big ideas from the Bible, Servanthood, obedience and authority. So, really, it would have been surprising had Hopkins not written on this theme.
The difficulties of service
It could be supposed that service to God becomes easier for a Christian as they mature in the Christian life. However, this does not seem to have been the case with Hopkins. It seemed to get more and more difficult and problematic. An earlier poem like The Starlight Night mentions his service: ‘Prayer, patience, alms, vows', but these are set alongside his enjoyment of Nature. Perhaps the number of exclamation marks may indicate a hidden tension, but not a tension he is sufficiently conscious of to admit to.
Service as a sacrifice
In The Windhover, there is a frank admission that at first glance, Christian service seems a rather dull and boring idea. The wild life of the windhover seems more natural and wonderful. However, after considering the life of Christ, Hopkins comes round to admitting that a life of sacrifice is ultimately much more worthwhile - the other is a temptation. He finds comfort in the admission that service is a sacrifice.
In almost his last poem, St. Alphonsus Rodriguez, Hopkins is able to depict this sort of life. Alphonsus was the ideal Christian servant, and was canonised for his example. The original militant imagery of the Jesuits, as milites Christi, or soldiers of Christ, was thus transformed into patience and watchfulness.
The cost of service
However Hopkins was not Alphonsus, and there is a world of difference between them when we see how Hopkins is portrayed in To Seem the Stranger. Here, Hopkins fully counts the cost of his service, which has now landed him at a ‘third remove'. The cost seems to be a lot higher than when he first became a convert, and he is making a frank complaint to God about it. He feels unheard and ‘a lonely began'.
Ironically, only students and readers over a hundred years later are able to see that this has all been redeemed, in that Hopkins' ‘hoard' is now revealed to thousands and thousands of readers, so that his service did produce very positive results.
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