Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Night, the dark night of the soul
Desolation of the spirit
This is the main theme running through the so-called ‘Terrible Sonnets' of the period 1885-1886, whilst Hopkins was in Ireland.
The term ‘The dark night of the soul' is a technical one, being a state of being that many mystics and spiritual advisers have recognised and even documented. The founder of the Jesuits himself, St. Ignatius Loyola wrote a section of his Spiritual Exercises on it, too, though he called it ‘desolation'.
It is important to remember, however, that Hopkins gave it none of these names, though he would have been aware of Ignatius' description of the symptoms and of his advised remedy.
Does God care?
- Spelt from Sibyl's Leaves has often been described as the least Christian, most pagan, of Hopkins' poem. The sense of God seems entirely absent. The last line particularly portrays mental and emotional despair, self-accusation and pain dramatically
- Carrion Comfort recognises that such suffering may have some purpose: ‘That my chaff might fly' in God's scheme of things
- however, on the whole, Hopkins is in a conflict situation with God. Though we can discuss the exact nature of the conflict, it would seem to lie in the area of submission to God's will. Hopkins felt God had sent him to Ireland to do what he considered rather meaningless academic chores in an unsympathetic environment
- it has to be a possibility that Hopkins would have gone through such an experience anyway, whatever his circumstances. In other words, it cannot really be said that it was only due to his Irish experience.
Internal bitterness
The poem I Wake and Feel the Fell of Dark describes the situation just mentioned, but then goes on to describe the inner bitterness such a conflict with God produces. Hopkins' unregenerate nature fights hard, but this leaves a bitterness of spirit, which state of being he recognises as being the permanent state of those who have never submitted to God.
In My Own Heart, this intense inwardness is alleviated, by Hopkins telling himself to leave God to act in sovereignty and to stop dwelling obsessively on the outcomes. If he can do this, he realises, he may actually feel some joy.
Spiritual despair or depression?
There are several other poems which could be included under this theme, such as No Worst, there is None, or Patience, Hard Thing. It needs to be recognised, however, that in their own terms, they could equally well be describing a state of deep emotional depression, rather than a spiritual state of being. There are some critics who argue that all the dark sonnets are about deep depression, and not about the ‘dark night' at all, though they are in the minority.
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