Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Synopsis of Carrion Comfort
A ‘terrible sonnet'
This is one of the ‘terrible sonnets' written while Hopkins was in Ireland, probably in 1885, with its revision dated to 1887. The title was made for the sonnet by Robert Bridges, being taken from the first line. For a general note on these sonnets, see Spelt from Sibyl's Leaves. Unlike that poem, however, this is a very God-centered poem, with frequent allusions to the Bible.
Subtexts
Job
There are a number of subtexts. The book of Job in the Bible is about a man wrestling to understand why God has allowed all sorts of calamities to fall on him, and is thus the model theodicy. In the end, God speaks to him when he comes to the end of his questions. In the sonnet, Hopkins is still left with his questions. He does attempt one answer, but it seems only to lead to further questions.
Keats, Tennyson and Shakespeare
Other subtexts include:
- Keats' Ode to a Nightingale, where the poet considers suicide as a way out of his intense misery, and also Ode to Melancholy, where he discusses embracing misery, as a way of entering into life more fully
- Tennyson's The Two Voices also discusses suicide, and we note the two voices in the sestet here- ‘O which one?' Hopkins cries
- Hamlet's ‘To be or not to be' speech in Shakespeare's Hamlet.
- Try to read Hamlet's ‘To be or not to be' speech.
- What is the difference between deep depression and despair?
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