Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Commentary on The Starlight Night
Celebration
The octave is a simple, celebratory description of the stars in a particularly brilliant night sky. ‘Look...look, look' he keeps saying in his enthusiasm. He piles one image on another to try to help us to share the intensity of his feeling. Gazing at the night sky is a universal experience, but we need to capture Hopkins' artist-like entrancement with the stars.
Usually, the octave in a sonnet poses some sort of problem or question, especially in its Petrarchan form. Here:
- nothing seems in the slightest bit problematic
- it is all exclamatory
- quite an incredible number of exclamation marks dot the end of each line but one, plus a few elsewhere.
The problem
Hopkins waits till the first line of the sestet to pose the problem. Is someone making an objection to all this praise?
The implied debate is, ‘What about all those things that you are supposed to be doing as a Christian priest? Are you really supposed to be spending your time hedonistically enjoying all this beauty?', the sort of problem that has troubled Hopkins in the past.
Resolution
The sestet then moves into its traditional role of trying to resolve this:
- it is not an either/or choice- either the enjoyment of beauty or Christian devotion
- it is both/and, and what is more, the beauty actually captures the religious dimensions of life.
To put it another way: such experiences of Creation concretise devotion and motivate it.
Interpretation
The barn is a biblical image which helps determine the meaning of the resolution:
- One suggestion, which you may have in the notes of your edition, is that Hopkins is referring to Matthew 13:30:
This reference of Jesus to the Last Judgement is quite similar to a saying of John the Baptist:
The meaning would thus be that humans cannot decide what is good and what is sinful now. Let them live alongside each other, and at the judgement, it will be sorted.
- However, another possible biblical reference would be to Jesus' words:
- The context is that God provides amply for his creatures, which should make humans mindful of God as provider.
- Certainly, the barn image relates to terms of enclosure: ‘withindoors house', ‘paling', ‘home'. I.e. the beauty of the creation is the container, the ‘barn'; though what is inside is more significant, the barn is necessary.
- Which Bible reference do you think is the nearer one?
- There are still other Bible references to barns (Luke 12:18 for instance).
- What do the words ‘Prayer, patience, alms, vows' convey to you?
- What exactly is the ‘purchase' or the ‘prize' referred to in l.8?
- English Standard Version
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- English Standard Version
- King James Version
- English Standard Version
- King James Version
- English Standard Version
- King James Version
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