Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Structure and versification in Carrion Comfort
An expanded sonnet
The sonnet form has been expanded from the regular pentameter pattern to a hexameter. Sometimes this has been called the alexandrine, technically a 12 syllable line. Many lines here are 12 or 13 syllables in length, but a number are significantly longer, and thus the term is best avoided of this sonnet. The sentence structure goes very tightly with the quatrain/tercet structure.
Counterpointing
However, there are significant enjambements, setting up strong counterpointing especially in the second quatrain and second tercet. This is where Hopkins' own agony cannot be contained in the set lines of the sonnet and spills over. Caesurae are apparently dotted haphazardly, again giving the idea of broken-up lines, which are not able to hold a regular pattern.
Metre
The metre begins as predominantly falling, with the dramatic stress on the first word ‘Not', an unusual word to stress, re-enforcing Hopkins' emphasis by a second ‘Not' beginning the following line. The third line appears to begin with two unstressed syllables, but, according to Hopkins' sprung rhythm, the foot really begins with the previous ‘man' and the two unstressed syllables follow that, to make the dactyl. The same thing can be done in l.7, taking the first two unstressed syllables back to the previous ‘scan', and in ll.8,13,14.
- Try reading the sonnet very slowly, taking long pauses at the question marks.
- Do you find your voice naturally adopts any particular tone or voice.
- Does this help to bring out Hopkins' own emotions?
- Overall, would you say that this was a cry for help, or a particularly honest description of a certain state of mind and spirit?
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