Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Language and tone in Pied Beauty
The poetic interest is in the vocabulary and diction of the poem.
Compound adjectives / epithets
The literary term for a compound adjective is compound epithet (epithet really only meaning adjective). Hopkins aim seems to have been to provide striking new ways of seeing words.
More on compounds: We see many examples in Hopkins poems. As in chemistry or maths, a compound is putting two terms or elements together. So in English, we can combine a noun with another (e.g. side+walk); an adjective with another, or with a noun, or even combine verbs with nouns or adverbs, making one new word. Two English poets who did this a great deal were Shakespeare and Keats, both very influential on Hopkins. The Greek language also frequently does this, as does German. Hopkins, of course, knew Greek very well. Poets are constantly fighting against exhaustion in words - their overuse, when the sense of their strength and even strangeness is lost (sometimes recaptured when a new language is learnt).
Other features
The other thing Hopkins does here is pair opposite words in the sestet:
- ‘swift, slow', ‘sweet, sour' (familiar to us through Chinese cooking).
- ‘Brinded' in l.2 is an archaic form of ‘brindled', which means having dark markings on a gray or brown skin.
Investigating Pied Beauty
- List the compound epithets here.
- What extra force do they gain from being put together?
- Have you noticed the alliteration is muted?
- What alliterative patterns can you find?
- Do they seem significant or trivial?
- What alliterative patterns can you find?
A combination of basic elements. A compound word is made up of two or more separate words.
An epithet is the literary term for an adjective. A compound epithet is where two adjectives or an adjective plus another part of speech are put together to form a single descriptive idea.
Alliteration is a device frequently used in poetry or rhetoric (speech-making) whereby words starting with the same consonant are used in close proximity- e.g. 'fast in fires', 'stars, start'.
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