Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Gerard Manley Hopkins' Poetic Career
Hopkins' Welsh inspiration
Hopkins sent his poem to the editor of a Catholic magazine, but it was refused publication. Undeterred, Hopkins began to write a whole stream of poems, mainly nature poems inspired by the beautiful Welsh scenery around St. Asaph. He had learned some Welsh, and found that Welsh poetry, too, influenced his poetic style.
Hopkins - A period of probation
Hopkins’ training as a priest took him to a number of places in the next four years:
- He undertook brief spells of teaching or parish duties in Chesterfield, Stonyhurst, and London
- He returned to Oxford, as curate at St. Aloysius’. Here, too, he wrote a number of poems, but he does not seem to have connected with university life in any way, his parish duties absorbing his attention
- A brief curacy in Leigh outside Manchester (where, from what survives in written form, he preached his best sermons)
- An appointment as Select Preacher at St. Francis Xavier's, a big Catholic church in Liverpool. The appointment lasted from January 1880 to August 1881
- A temporary appointment to Glasgow
- His final retreat, or third part of his novitiate, at Manresa House.
It was only now that he was fully a Jesuit.
Public rejection of Hopkins' work
Hopkins made a few attempts to get poems published, with permission from his superiors, but his poetic style was now so different from Victorian taste that rejection was almost inevitable. Fortunately, he continued to conduct correspondence with:
- Bridges
- R.W.Dixon, his old schoolteacher, now a canon in the Church of England, who had published a book of verse
- the poet and Catholic convert, Coventry Patmore.
It is from this correspondence and from a journal that he had kept from Oxford days till 1875 that we learn of his own poetic and spiritual development.
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