Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Structure and versification in Tom's Garland
- The metre is largely dominated by sprung rhythm, as most lines are expanded iambic pentameters with outriders or ‘hurried feet', as Hopkins called them here
- The choice of diction partly determines this: there are many compound words, such as ‘fallowbootfellow', ‘rockfire homeforth', ‘prickproof', ‘mainstrength'. These naturally attract considerable emphasis
- There are also large clusters of monosyllabic nouns and verbs, such as ‘world's weal rare gold, bold steel, bare'
- 'mammock' is a dialect word meaning ‘to tear into fragments'.
Complex sentences
The sentence structure, too, is highly extended. Usually in poetry, sentences are no more than two or three lines. Here they are three or four, and the last sentence begins ‘But no way sped..' and covers the remaining eight lines of the poem! You need to note the parenthesis beginning l.5 and running through to l.8. The main sentence reads ‘he his low lot...swings through', referring to the rhythm of daily work as well as the rhythm of the pick and shovel. But the rhythm here is disrupted by the parenthesis, partly to reinforce Hopkins feeling that the country is disrupted, and partly, perhaps, because Hopkins is not used to making such polemic statements.
Investigating Tom's Garland
- Trace the words ‘treads through', ‘plod' and ‘despair' back to other poems.
- What weight does Hopkins give these terms?
- Can you identify the political stance that Hopkins seems to take?
- What seems to be his emotional attitude to the working class?
- Do you sense any patronising or idealising, or even fear?
- What seems to be his emotional attitude to the working class?
- Can you see why Tom's garland is steel?
The particular measurement in a line of poetry, determined by the pattern of stressed and unstressed syllables (in some languages, the pattern of long and short syllables). It is the measured basis of rhythm.
A term given by Gerard Manley Hopkins to his versification. It does have a regular basic metre, but contains additional feet or outriders and other planned irregularities.
A line containing five metrical feet each consisting of one stressed and one unstressed syllable.
A term coined by Gerard Manley Hopkins to denote a syllable or group of syllables not to be counted in the scansion. Also called hangers.
The choice of words a poet makes; his vocabulary and any special features of it.
A combination of basic elements. A compound word is made up of two or more separate words.
1. A regional form of a language with particular features of vocabulary, grammar and pronunciation. 2. A way of speaking characteristic of a particular group.
Related material
Scan and go
Scan on your mobile for direct link.