Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Language and tone in Henry Purcell
Uncommon expression
Some of the poem's difficulties lie in the way words are used and in the way they are ordered. The opening phrase has drawn especial attack from critics:
- By ‘have fair fallen' Hopkins means, ‘I wish you to have died well and in grace' or ‘in God's favour'
- Yet we never use the particular verbal construction Hopkins uses (a sort of present perfect imperative). We may say, ‘Have a good time', but we never say, ‘Have had a good time (yesterday)'.
- It's probably easiest just to think ‘be' for ‘have'.
Despite criticism, Hopkins refused to change the line.
Unusual denotation
- In l.2 ‘arch' refers neither to ‘a sort of construction', nor ‘a becoming mannerism'. Hopkins means it as in ‘archangel', from the Greek word meaning ‘leading' or ‘first'. Normally the word is attached to another noun: arch-something. We have to wait till l.9 till ‘angels' comes up.
- ‘nursle' is archaic for ‘nourish, foster', but he needs the –sle for the rhyme.
It is part of the poet's skill to know and love such a variety of words, including dialect forms like ‘wuthering', as not to be stuck for a rhyme.
Unusually for Hopkins, there are very few compound epithets, ‘purple-of-thunder' and ‘moonmarks' being two of the few.
Investigating Henry Purcell
- Define ‘rehearsal' (l.7); ‘sentence' (l.4); ‘listed' (l.4).
- How can ‘fear' be ‘sacred' (l.5)?
An epithet is the literary term for an adjective. A compound epithet is where two adjectives or an adjective plus another part of speech are put together to form a single descriptive idea.
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