Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Nature images in The Wreck of the Deutschland
As we would expect with an account of a natural disaster, nature imagery predominates.
Water
Water is the key image. Compare images of violent water, with those of still water:
- under turbulent water there are references to ‘high flood' (7); ‘buck and the flood of the wave' (16); ‘sea-romp' (17); ‘sloggering brine' (19); ‘endragoned seas' (27); ‘Stanching quenching ocean' (32); ‘storm of his strides' (33)
- as opposed to the still water images of ‘sway of the sea' (1); ‘water in a well' (4); and references to rivers (6,18).
Investigating nature images in The Wreck of the Deutschland
- Find other water images.
- Can you see any deliberate contrast between turbulence and stillness?
Sand
Images of sand include:
- ‘strand' (1); ‘hourglass' (4); ‘smother of sand' (14); with particular use of the verb ‘combs' (4,14).
Thunderstorms
Examples include:
- ‘lightning and lashed rod' (2); ‘fall-gold mercies' and ‘all-fire glances' (23); ‘lightning of fire hard-hurled' (34). Linked with fire is an anvil image in stanza 34.
Body
There are a number of body images:
- ‘bound bones in me' (1); ‘heart' (3, 18); ‘vein' (4).
Music
More unexpected are images of music:
- ‘virginal' (17); ‘madrigal/revel/glee' (18).
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