Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Commentary on The Wreck of the Deutschland
Subject matter
Shipwrecks are something that fascinate many - hence the popularity of Robinson Crusoe and the Titanic films. Some of Shakespeare's plays have shipwrecks: The Tempest, The Winter's Tale, Twelfth Night, to name a few. More significantly with Hopkins, his father had been in marine insurance, and accounts of shipwrecks must have been talked about a good deal in the Hopkins' household. Hopkins appears very confident in writing about the details. A few years later, he was to write a second shipwreck poem, The Loss of the Eudydice.
Form
The poem is technically an ode, that is to say, it is addressed to someone or celebrating someone. Here, the poem is initially addressed to God, but it celebrates the Franciscan nuns. In form, it is a Pindaric ode, a complex sort of ode developed by the Greek poet, Pindar, whom Hopkins would have studied.
The poem is divided into two main parts.
Part the First
This consists of the first ten stanzas, and tells something of Hopkins' own conversion, laying out the grounds for his theodicy (attempt to reconcile the existence of tragedy and suffering with belief in a God who is both loving and powerful).
Part the Second
This consists of twenty-five stanzas. In them, Hopkins describes the shipwreck itself, taking details from The Times newspaper of Saturday, December 11, 1875. He then focuses on the leading nun, wondering what she was seeing and saying just before her own death. He seems to come to an understanding of her final cry, which leads him in to applying his theodicy to that situation. From there he can think about the others drowned, and then to a wider picture of God's will for England.
Structural division
In fact, the poem can be broken down beyond the two main sections, into smaller sections forming groups of roughly five stanzas:
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