Gerard Manley Hopkins, selected poems Contents
- As Kingfishers Catch Fire
- Binsey Poplars
- The Blessed Virgin Mary Compared to the Air We Breathe
- Carrion Comfort
- Duns Scotus' Oxford
- God's Grandeur
- Harry Ploughman
- Henry Purcell
- Hurrahing in Harvest
- Inversnaid
- I Wake and Feel the Fell of Dark
- Synopsis of I Wake and Feel the Fell of Dark
- Commentary on I Wake and Feel the Fell of Dark
- Language and tone in I Wake and Feel the Fell of Dark
- Structure and versification in I Wake and Feel the Fell of Dark
- Imagery and symbolism in I Wake and Feel the Fell of Dark
- Themes in I Wake and Feel the Fell of Dark
- The Leaden Echo and the Golden Echo
- Synopsis of The Leaden Echo and the Golden Echo
- Commentary on The Leaden Echo and the Golden Echo
- Language and tone in The Leaden Echo and the Golden Echo
- Structure and versification in The Leaden Echo and the Golden Echo
- Imagery and symbolism in The Leaden Echo and the Golden Echo
- Themes in The Leaden Echo and the Golden Echo
- The May Magnificat
- My Own Heart, Let Me Have More Pity On
- Synopsis of My Own Heart, Let Me Have More Pity On
- Commentary on My Own Heart, Let Me Have More Pity On
- Language and tone in My Own Heart, Let Me Have More Pity On
- Structure and versification in My Own Heart, Let Me Have More Pity On
- Imagery and symbolism in My Own Heart, Let Me Have More Pity On
- Themes in My Own Heart, Let Me Have More Pity On
- No Worst, There is None
- Patience, Hard Thing!
- Pied Beauty
- The Sea and the Skylark
- Spelt from Sibyl's Leaves
- Spring
- Spring and Fall
- St. Alphonsus Rodriguez
- The Starlight Night
- That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
- Synopsis of That Nature is a Heraclitean Fire
- Commentary on That Nature is a Heraclitean Fire
- Language and tone in That Nature is a Heraclitean Fire
- Structure and versification in That Nature is a Heraclitean Fire
- Imagery and symbolism in That Nature is a Heraclitean Fire
- Themes in That Nature is a Heraclitean Fire
- Thou Art Indeed Just, Lord
- Tom's Garland
- To Seem the Stranger
- To What Serves Mortal Beauty
- The Windhover
- The Wreck of the Deutschland
- Beauty and its purpose
- The beauty, variety and uniqueness of nature
- Christ's beauty
- Conservation and renewal of nature
- God's sovereignty
- The grace of ordinary life
- Mary as a channel of grace
- Nature as God's book
- Night, the dark night of the soul
- Serving God
- Suffering and faith
- The temptation to despair
- The ugliness of modern life
- Understanding evil in a world God has made
Synopsis of Inversnaid
A Scottish visit
Hopkins wrote Inversnaid in September 1881, having just completed his duties as a parish priest in Liverpool. He had been sent to St.Joseph's, Glasgow for a month on temporary assignment before moving back to Manresa House, Roehampton to complete his novitiate. This is his only recorded visit to Scotland. He went on a day's excursion to Loch Lomond some thirty miles to the north-west of the city, on the edge of the Highlands.
Wild beauty
The Scottish Highlands had been associated with beauty and grandeur even before William Wordsworth and the Romantic poets. They were becoming quite popular with Victorian tourists as railway travel made them much more accessible. Even so, the area was still much less developed than today, and Hopkins clearly wanted it to stay that way. However, he makes little attempt to establish its Scottish identity. He uses the Scottish term ‘burn' and ‘braes', but nothing else, not even ‘loch' for the English ‘lake'. To him, what is important is its wild, undeveloped quality.
The dangers of development
Inversnaid is not the only poem of Hopkins that deals with ecological concerns, but other poems are usually in terms of urbanization encroaching on the surrounding countryside, as in Ribblesdale, which was written the next year, or Duns Scotus' Oxford or Binsey Poplars, both about the spread of Oxford. God's Grandeur and The Sea and the Skylark are similar in theme. But, in Inversnaid, there is no immediate danger of encroachment, just a general fear. Nor does it contain any theological statement, as the other poems do. It is more a spontaneous cry from the heart.
- Pick out words or phrases that infer the poet's emotions
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