Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Being Human
George Herbert:
Henry Vaughan:
Andrew Marvell:
We might imagine that Metaphysical poets would spend time considering what being human is all about. After all, it is a basic philosophical question, and many poets so spend large amounts of time considering it. So it is interesting that the Metaphysicals don't do this. They are concerned about what being in love is like, or with being a believer - but not with just being. The nearest, for example, that Donne approaches the theme is in his microcosm imagery: man is a miniature world which corresponds to the wider cosmos. But this was traditional Elizabethan imagery and Donne adds only a little to it.
However, there are some poems that do address the theme, which could be linked to that of The Transience of Life. The two poems entitled Man are a good starting point. Herbert's poem touches on the microcosm imagery, as it does on ecological concerns: what is man's place in creation? But the final conclusion is in Christian terms: man is the temple of God. It is an optimistic account of man. Vaughan's poem is less positive in outlook. Human beings are restless because they do not belong in the world. This is where Herbert and Vaughan differ radically, however much Vaughan looked to Herbert for his initial inspiration.
Marvell belongs more to Vaughan's side of the argument. The nature of humankind is to lose peace and innocence, and to be in unresolved inner conflict. Again, Herbert believes a resolution is possible in humility and acceptance of the will of God's purposes for one's life: for him, being human is being a child of God.
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