Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Synopsis of The Exequy
An exequy is a Latin term for funeral rites. So here it becomes a poem written instead of - or as - a rite, in this case for the poet's young wife's burial. There are other examples of such poems: Thomas Stanley, a contemporary of King, wrote The Exequies, but as a love poem using the image of dying for love, as Donne does in Twicknam Garden. Sadly, King's poem is the real thing, just as Donne's sonnet Since She Whom I Lov'd.
A profound exploration of grief
The wider generic name for poems written to and about dead people is Elegy. However, this genre can be subdivided. King himself calls the poem a dirge and a ‘complaint' (l.2). In fact, it is one of the most profound explorations of grief in English poetry. It shows that whilst major poets can quite easily write minor poems, so minor poets, given the emotional pressure, can write major poems. Carew's elegy on Donne is another example. Of King's poem, T.S. Eliot, in a major essay on the Metaphysical poets, wrote:
have been written in any other age) The Exequy of Bishop King, the
extended comparison is used with perfect success: the idea and the simile become one.
At the time of writing this poem King, who lived from 1592 to 1669, was a Church of England priest and he later became Bishop of Chichester. He was also a poet, though a fairly conventional one.
- Compare King's Exequy with Donne's sonnet about his young wife's death, Since She Whom I Lov'd
- What similarities and differences do you notice?
- Read the Victorian poet Robert Browning's poem Prospice. This is about his hope of meeting his newly dead wife again in heaven.
- Again, compare it with King's Exequy
- Memorial services often include words written especially about the person who has died.
- How helpful might this be?
- What makes people want to write on a loved one's death?
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