Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Imagery and symbolism in The Extasie
The two main strands of imagery are horticultural and military, with some sexual images also.
Horticulture
The horticultural imagery is most important in the discussion on transplanting and also in ‘to' entregraft our hands' (l.8). Both processes suggest union:
- the plant to new soil
- the graft, to a new stock.
We actually talk, too, of ‘propagation' in horticulture, as the poet does in l.12. The word is ambiguous here, for ‘propagation' is also used to mean ‘making pregnant'.
- Pregnancy is suggested directly in l.2, and ‘pillow' could suggest that, as well as the more general association with sexual activity (l.1).
- Conversely, ‘The violets reclining head' (l.3) would suggest modesty, as violets symbolise modesty.
Military
Military imagery comes with the idea of two armies negotiating a truce (l.13-17), quite an extended simile. The image suggests not so much former hostility, as great strength on both sides. This is an equal match. The military imagery is picked up in ll.54,55; and l.68.
Scientific references
As is typical of Donne, there are many scientific references too:
- ‘concoction'(l.27)
- ‘mixture of things'(l.34)
- ‘Atomies'(l.47)
- ‘drosse… alloy'(l.56)
- ‘blood'(l.61).
Behind much of this is the same question: what fusion can be made which will result in an unchangeable final state (‘whom no change can invade')?
- Read through the first ten lines of The Extasie
- These lines contain a riot of images
- What others can you see besides those mentioned already?
- These lines contain a riot of images
- There is also an imagery of language in the poem
- Can you trace this through, and say what its significance is?
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