Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Henry Vaughan - Nature poet and mystic
Henry Vaughan's early poetry
- In 1646, Vaughan had a Latin translation published
- In 1650, his first major volume of poetry, Silex Scintillans (The Fiery Flint or the Flashing Flint), was published
- In 1651, Olor Iscanus (The Swan of Usk) followed. There were some prose translations mixed with the verse in this volume. Neither made a huge impact.
Henry Vaughan - A spiritual crisis
Shortly after this, Vaughan entered a spiritual crisis. He may been ill, the Royalist cause had been defeated, and his brother had been thrown out of his church. Vaughan began reading Herbert's poetry, and this seems to have had a great impact on him, leading to what we would call a conversion experience, a radical spiritual change. From then on, his poetry became markedly influenced by Herbert's and was almost entirely religious. He copied many of Herbert's poetic devices, often freely borrowing words and phrases.
Henry Vaughan and imagery from nature
It would, however, be a mistake to see Vaughan as merely imitating Herbert. He became a much more mystical poet than Herbert. This may have been connected with his Welsh background which led him to write about nature a great deal, and to draw his imagery from nature rather than from the intellectual concerns of the English poets. There are fewer conceits and much more nature symbolism or emblems. His method is more like that of the emblematic poets such as Francis Quarles or another mystic poet of the period, Thomas Traherne. Vaughan’s nature poetry is a far cry from the conventional pastoral poetry of the Elizabethans. He writes of the real countryside he would have seen every day.
Further publications by Henry Vaughan
- In 1652 Vaughan published The Mount of Olives, or Solitary Devotions, his first volume of solely religious poems
- In 1655 he published an enlarged edition of Silex Scintillans. The change was immediately obvious.
Both volumes became popular. Later volumes of poetry followed, but none managed to achieve the same recognition.
Henry Vaughan's death
Vaughan lived the rest of his life quietly at Newton. He died in 1695.
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