Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Structure and versification in Valediction: of Weeping
A syllogism
As in many poems, such as The Anniversarie, Twicknam Garden, The Dreame, A Valediction: of Weeping is structured into three fairly long stanzas. The tri-partite divisions suggests the form of the syllogism, an old logical form used from Greek time onwards, which consisted of a major premise, a minor one and a conclusion. Donne would have been trained in this syllogistic method, both as a scholar and as a lawyer. It gives the poems the impression of a dialectic form, and a firm logical progression of a persuasive argument, even if, in actuality, the poem really is a shout of existential pain or passion.
A new verse form
Each stanza of A Valediction: of Weeping consists of nine lines, as with Twicknam Garden, but the line lengths are quite different. Donne seems to invent a new verse form for almost every one of his Songs and Sonnets. Here we are struck by the short dimeters of the first, fifth and sixth line of each stanza. The fifth and sixth also rhyme together, so drawing attention to themselves, though only in the first stanza is the couplet neatly tucked into itself. The final three lines rhyme together and so draw the weight of the stanza to its ending, which is what a logical argument wants to do as well.
- Look at the length of the first and last lines of each stanza.
- How would you comment on these?
- Pick out one or two images or expressions that have struck you most.
- Why have they done so?
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