Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
More on Ignatian Meditation:
More on Ignatian Meditation: Saint Ignatius of Loyola was a Roman Catholic who founded the order of the Jesuits. Donne had been partly educated by the Jesuits, and so would have had some instruction in the method of meditation that Ignatius asked of all his followers.
Even when Donne became an Anglican, he saw nothing wrong with keeping to this form of mediation. A number of other Anglicans used it, too, in the absence of any specific form of Anglican meditation.
The basic feature of this method is to use the imagination to link the mind and the will with the emotions. This is done through imagining an event in the Bible, such as some part of Christ's life, in an intensely focused way. The participant imagines themselves to be present at a scene, such as the crucifixion of Christ as described in the Gospel accounts in the New Testament. Then they pray that God will enable them to enter into the event, creating the emotions and thoughts which they would have experienced if present at the time. This intense visualisation is intended to lead to a sense of God's presence and to worship and repentance. Beginners were recommended to start with ‘The Last Things', as they were known, which means the Second Coming of Christ, the Last Judgement, hell and heaven. Alternatively, they could begin the Life and Passion (Sufferings) of Christ.
Nearly all of Donne's religious poetry has to some extent or another a structure and focus of this kind.
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