Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Commentary on Affliction I
Youth
Affliction I divides up naturally according to the stages in the poet's life. The first four stanzas deal with his early spiritual experiences. He uses the traditional image of entering God's service. Everything seemed to be going marvellously for him: there was the natural exuberance of youth together with real excitement in serving God:
Paid me my wages in a world of mirth
A dark period
However, at the end of the fourth stanza there is a transition to something darker. He became ‘a party unawares for woe'. The next two stanzas spell this out:
- The first source of sorrow was ill-health,
- The second was losing friends through death.
He lost direction in life and also protection (‘fence'). Perhaps some of these friends had influence and could have helped him get on in life.
A reluctant academic
Stanzas 7 and 8 talk of his career not developing as he would have wished. He would have preferred a career in London, perhaps at the Stuart court, as John Donne also wanted. Instead, he remained at Cambridge University, as an academic. For many people, that would have been wonderful, but not for Herbert. From time to time he was encouraged by academic success which made it difficult to continue his argument with God, but his life was still not as he wished.
Help me!
Finally, he became ill again and really had something to complain about (stanza 9). Which brings him to the present: he doesn't know what he is to do and feels completely useless. In a fit of pique, he declares he'll serve someone else: but it is an empty gesture. He doesn't really want to turn his back on God. So, in the end, all he can do is offer up a prayer to be able to love God no matter what his circumstances may be.
- Read through Affliction I.
- What phrases does Herbert use in the poem to suggest that much of his earlier devotion to God was conditional?
- How has his response changed?
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