Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Metaphysical Poet Andrew Marvell - Early Life
Another second generation Metaphysical poet, Andrew Marvell was very much caught up with the political upheavals of the mid-seventeenth century. Much of his poetry was not published till after his death. The poetry published during his life, often in Latin, is now less admired than the posthumous work.
Marvell was born in 1621 in what was then the East Riding of Yorkshire, being brought up in Hull, where his father was a Puritan preacher in the Church of England. In 1633, at only twelve years old, he gained entry to Trinity College, Cambridge and by 1637 had had Latin poems on the King and Queen published. The next year he graduated and won a scholarship. He could have stayed on at Cambridge but the death of his father in a tragic accident brought him home.
Andrew Marvell - Tutor to Lord Fairfax’s daughter
It is not entirely clear how Marvell spent the next few years. He may have entered his brother-in-law's firm for a while. He seems to have travelled in Europe during the fighting in the Civil War, in which he seems to have supported the Royalist cause. In 1650, he became tutor to the daughter of Lord Fairfax, General of the Parliamentary Army, who had retired to Nunappleton House in Yorkshire. This was a very creative time for Marvell, and most of the poems for which he is now famous were written at this time.
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