Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Commentary on The Sunne Rising
The first stanza
The whole of The Sunne Rising is a far-fetched apostrophe to the sun, which is personified quite disrespectfully. Donne calls it ‘Busie old foole' and ‘Sawcy pedantique wretch'.
Conventionally, love poetry is aware of the seasons, particularly Spring, and the seasons are, of course, defined by the sun. Donne wants to reverse this. The lovers should define their own seasons and the sun should keep out of the business. Rather, it should do fairly ordinary, trivial things like ‘chide/ Late schoole boyes' and other people who need to get up in good time.
The second stanza
Having established in his mockery of the sun the lovers' own timekeeping, Donne then gives the sun a job that would benefit the lovers. The sun can tour the earth and report back if there is anything of value or of royalty that is not already here in the lovers' bedroom, that is to say, in each other.
The third stanza
The expectation is that the sun won't have found a single thing. ‘All right,' says the poet. ‘Just stay here and warm us.' Donne proclaims that the sun will then be everywhere, since the lovers' world is a complete world of its own.
- Donne is making fun of the sun:
- Pick out words and phrases which suggest this
- What is the actual season in which this was written, do you think?
- What is the geography of the lovers' world?
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