Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
Richard Crashaw - The Catholic exile
The English Civil War
The English Civil War began in 1642. Had it not been for this, Crashaw might well have lived a long but obscure life as a scholar. However, Cambridge was in an area held by Parliamentary forces which made the teaching staff of the University sign a ‘covenant’, pledging their loyalty to Parliament and a more Puritan church. Crashaw evaded this by moving to Oxford, the headquarters of Charles I and the royalist forces, but lost his fellowship as a result.
Poverty in Paris
We next hear of Crashaw in 1646 in Paris, where his friend Cowley discovered him in some poverty. He had by then become a Roman Catholic. Cowley asked Queen Henrietta Maria, also in exile and also Catholic, to help Crashaw. She sent him to Rome with a letter of introduction.
To Rome
Once in Rome, Crashaw was placed in the household of Cardinal Palotta. The Cardinal's household seems to have shown a good deal of immoral behaviour, to which Crashaw objected strongly. His objections became so public that the household turned against him. The Cardinal had him appointed a canon, or cathedral official, at Loretto in 1649.
Death
Crashaw had only been at Loretto for three weeks, when he sickened and died in somewhat mysterious circumstances.
Crashaw’s poetry
- Crashaw was influenced by his reading of Spanish mystical poetry and by the Italian poet Marini
- In 1646, some of his religious verse was collected and published under the title of Steps to the Temple (perhaps in conscious imitation of George Herbert’s group of poems called The Temple), and The Delights of the Muses
- In 1652, his later poetry was published under the title of Carmen Deo Nostro (Hymn to our God). It was published in Paris and is dedicated to the Countess of Denbigh, who was also living in exile there, and whom he had hoped to convert to Catholicism
- His poetry was not collected together, however, until 1858.
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