Metaphysical poets, selected poems Contents
- Social / political context
- Religious / philosophical context
- Literary context: ideas and innovations
- Aire and Angels
- A Hymn to God the Father
- A Hymn to God, my God, in my Sicknesse
- A Nocturnall upon St. Lucies day
- At the Round Earth's Imagin'd Corners
- A Valediction: Forbidding Mourning
- Synopsis of Valediction: Forbidding Mourning
- Commentary on Valediction: Forbidding Mourning
- Language and tone in Valediction: Forbidding Mourning
- Structure and versification in Valediction: Forbidding Mourning
- Imagery and symbolism in Valediction: Forbidding Mourning
- Themes in Valediction: Forbidding Mourning
- A Valediction: of Weeping
- Batter my heart
- Death be not Proud
- Elegie XIX: Going to Bed
- Elegie XVI: On his Mistris
- Good Friday, 1613. Riding Westward
- Lovers' Infiniteness
- Oh my blacke Soule!
- Satyre III: 'On Religion'
- Show me Deare Christ
- Since She Whom I Lov'd
- Song: Goe, and catche a falling starre
- The Anniversarie
- The Dreame
- The Extasie
- The Flea
- The Good-morrow
- The Sunne Rising
- This is my playes last scene
- Twicknam Garden
- What if this present
- Aaron
- Affliction I
- Death
- Discipline
- Easter Wings
- Jordan I
- Jordan II
- Life
- Love II
- Man
- Prayer I
- Redemption
- The Church-floore
- The Collar
- Vertue
- Hymn in Adoration of the Blessed Sacrament
- Hymn to St Teresa
- St Mary Magdalene, or the Weeper
- To the Countesse of Denbigh
- Ascension - Hymn
- Man
- Regeneration
- The Night
- The Retreate
- The Water-fall
- A Dialogue between Soul and Body
- On a Drop of Dew
- The Coronet
- The Definition of Love
- The Garden
- The Mower Against Gardens
- The Mower to the Glo-Worms
- The Mower's Song
- The Nymph Complaining for the Death of her Faun
- The Picture of Little T.C. in a Prospect of Flowers
- To his Coy Mistress
- Upon Appleton House, to my Lord Fairfax
- An Elegie upon the Death of the Deane of Paul's Dr John Donne
- To a Lady that Desired I would Love her
The Elizabethan court
Where the power lay
Most political and cultural activity was centred on the court of Queen Elizabeth I. Parliament existed but only met when the sovereign decided, for as long as she wished. MPs were unpaid. Either they covered their own expenses, or had a patron whose money they took and whose bidding they did. The patrons would typically be aristocrats, who would frequent the court.
The courtly ideal
Career-minded young men, therefore, tried to become part of the court. But there was a courtly ideal, to which they needed to conform. This went back to the Renaissance ideal of the courtier, someone who was:
- educated, but kept his learning hidden
- a soldier
- a poet
- a ladies' man, graceful and witty.
The Elizabethans frequently held up one man as their ideal, Sir Philip Sidney, a talented poet. Sadly, he died as a soldier, fighting a war in Holland.
Education
Many of these young men had been educated at the universities of Oxford or Cambridge, or at one of the Inns of Court in London. These Inns, like Lincoln's Inn, were training grounds for lawyers, and knowledge of the law was seen as a good entry point into politics, as it still is today. The young men of the Inns were within reach of all the cultural life of London, and, by all accounts, availed themselves of it.
Rumblings
By and large, the Elizabethan culture was buoyant and patriotic. The Spanish Armada's defeat in 1588 was perhaps a high point. In the 1590s, there were hints of factionalism, which finally broke out in the Earl of Essex's rebellion in 1601. Essex had been a favourite of the Queen so his disgrace was particularly shocking to the court. Elizabeth died soon after, in 1603.
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